Chess (theatre): Difference between revisions
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* [[No Accounting for Taste]]: Florence and Freddie. [[Word of God]] confirmed this at the album stage, however by the time the production rolled round, the need for [[Adaptation Expansion]] means that Florence ''says'' she loves him. Also implied for Anatoly and Svetlana. |
* [[No Accounting for Taste]]: Florence and Freddie. [[Word of God]] confirmed this at the album stage, however by the time the production rolled round, the need for [[Adaptation Expansion]] means that Florence ''says'' she loves him. Also implied for Anatoly and Svetlana. |
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* [[No Name Given]]: Anatoly and Freddie are simply "The Russian" and "The American" in the original [[Concept Album]]. Also, The Arbiter only has a name in a few versions (Jean Jacques van Boren, Constantine Stannos, Kobe Obe), [[Everyone Calls Him "Barkeep"|though nobody calls him that anyway]]. |
* [[No Name Given]]: Anatoly and Freddie are simply "The Russian" and "The American" in the original [[Concept Album]]. Also, The Arbiter only has a name in a few versions (Jean Jacques van Boren, Constantine Stannos, Kobe Obe), [[Everyone Calls Him "Barkeep"|though nobody calls him that anyway]]. |
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* [[Obstructive Bureaucrat]]: "Embassy Lament". The song is so dryly witty that it turns into an |
* [[Obstructive Bureaucrat]]: "Embassy Lament". The song is so dryly witty that it turns into an [[Anti-Villain]] Song, if it was ever a [[Villain Song]] to begin with. |
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* [[Only Friend]]: Florence is Freddie's (or at least says she is -- given his behavior, it's not hard to believe), although by the end of the first act even she gets fed up and leaves him. |
* [[Only Friend]]: Florence is Freddie's (or at least says she is -- given his behavior, it's not hard to believe), although by the end of the first act even she gets fed up and leaves him. |
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* [[Opening Ballet]]: "The Golden Bangkok" |
* [[Opening Ballet]]: "The Golden Bangkok" |
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