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{{work|wppage=Dune (novel)}}
[[Category:{{Multiple Works Need Separate Pages]]}}
[[File:Dune_JohnSchoenherr-cover_1463.jpg|frame]]
{{quote|''"I must not fear.
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|from the Bene Gesserit Litany Against Fear}}
 
{{quote|''"Arrakis, Dune, Desert Planet.''
|Paul Atreides in the beginning for the first book}}
 
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''Dune'' has been [[The Film of the Book|adapted into movie form]] three times:
 
* From the early 1970's1970s on, attempts were made to produce a theatrical film. Cult director [[Alejandro Jodorowsky]] (known for incredibly bizarre films such as ''[[El Topo]]'' and ''[[The Holy Mountain]]'' and equally strange or stranger comic books) came to the project after having a bizarre dream almost identical to the broader plot of the first novel and then hearing about a book of almost exactly the same story. Convinced that there was something more here he resolved to make '''a movie based on his dream,''' with bits of the book itself thrown in (that's not hyperbole, that's his stated agenda). Comic artist Moebius and fellow [[Heavy Metal]] writer/artist Dan O'Bannon (also responsible for the concept art and a decent chunk of the screenplay for ''[[Alien]]'') worked on concept art and designs, as well as ''[[Aliens]]'' designer [[H. R. Giger]], whose work actually ended up in the final film in small doses. Salvador Dali was cast as the Emperor (which is not nearly as ridiculous as it sounds to non-''Dune'' fans) and [[Pink Floyd]] had agreed to provide the score. [[What Could Have Been|Sadly, and inevitably, it fell apart.]]
** Ultimately, Jodorowsky turned the script into an original graphic novel, ''The Saga of The Metabarons''. Some elements of the plot are heavily influenced by ''Dune'', such as the [[Meaningful Name|Hooker-Nuns Shabda-Oud]] for the Bene Gesserit, with the same kind of genetic agenda.
* The producers turned to a hot new director who had been considered for ''[[Star Wars|Return of the Jedi]],'' mostly because of George Lucas' [[What Could Have Been|still-intense passion for experimental film]], mostly on the strength of his classic [[Eraserhead|first film]] and a critically and commercially successful [[The Elephant Man|biopic]] that made him a true commodity in the industry. That man's name: [[David Lynch]], who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[All There in the Manual|printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue. Lynch was incensed that the studio had [[Executive Meddling|recut his movie]] behind his back; he had himself credited for director as [[Alan Smithee]] and as ''[[Meaningful Name|Judas Booth]]''<ref>(as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)</ref> for his screenwriting credit. The 1984 Lynch version of ''Dune'' is the most memorable and notorious for its [[Scenery Porn|elaborate and immersive set design]], and carried some holdovers from the Jodorowsky version, including Giger's designs. Subsequent recut and extended versions have inspired [[Broken Base|varying]] degrees of critical [[Love It or Hate It|reappraisal]]. It was a complete flop at the box office and has become both a [[Cult Classic]], and an example of how ''not'' to make a blockbuster.
* In 2000, the [[Syfy]] (then still the "SciFi Channel") produced a three-part miniseries adaptation of the novel. This version followed the plot of the book much more closely, but had a ridiculously small budget, [[Ascended Extra|and gave several characters expanded roles]] while paring others down to bare bones or removing them entirely. The Sci-Fi Channel also adapted ''Messiah'' and ''Children'' into a second three-part miniseries in 2003, which was substantially better in some people's opinion (though its ending was much more ambiguous than that of the novel and doesn't provide a suitable lead-in to ''God Emperor''.)
* In 2021, Denis Villeneuve directed [[Dune (2021 film)|a film based on the first half of the first novel]] and did well at the box office. It is set to follow with ''Dune Part Two'' in 2023.{{verify}}
 
''Dune'' also served as the inspiration for several popular video games, most notably ''[[Dune II]]: The Building of A Dynasty'' which is the [[Ur Example]] of the modern [[Real Time Strategy]] game.
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Notable for having a [[Shout-Out]] directed at it in almost every videogame with a [[Shifting Sand Land]] area in the form of [[Sand Worm|sandworms]], possibly an example of [[Popcultural Osmosis]].
 
{{franchisetropes}}
{{tropelist|The ''Dune'' books contain examples of:}}
== A-H ==
* [[Absent Aliens]]: Unless you count the Sandworms, and their [[Precursors|implied creators]]. Even then, the sentience was added after the fact, by Leto II.
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** As an out-of-universe example, [[Star Wars]] cloned ''Dune'' so well that it [[Trope Codifier|overshadows the source]] in popular culture.
* [[Foregone Conclusion]]: A major theme of ''Dune'' is [[You Can't Fight Fate]], so expect these in spades.
** Dr. Yueh's wife, Wanna, is revealed by [[Epistolary]] to be dead long before she, or he, ''or'' [[I Have Your Wife|the nature of their relationship]], is even introduced.
** We're told how the first of the book's three parts will end in the second chapter, and the book's ending is foretold in the middle of the second part by the protagonist himself.
** In ''Dune Messiah'', the conclusion is hinted at in the second chapter, and by halfway through the novel, the protagonist has a prescient dream in which he foresees the entire rest of the story. The vision guides him even after his eyes get burned out by nuclear radiation. By twenty pages before the climax (a substantial portion of the just 200-page book) it's a definite [[Foregone Conclusion]], except for the [[Plot Twist]] in which Paul foresees only the birth of his daughter, and not her far more significant twin brother—because he's the one who will ultimately take the reins of prophecy from Paul.
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* [[Words Can Break My Bones]]: The 1984 film turns the Weirding Way into a martial art and turns "My name is a killing word" into something much more literal.
 
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