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Fitzcarraldo (view source)

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[[File:fitzcarraldo_972.gif|frame|Now is when the real problem begins...]]
 
{{Quote|
'''Rubber Baron''':Have you ever seen a shrunken head?
'''Fitzcarraldo''':Yes. I mean, no. I mean...sort of.}}
 
'''''Fitzcarraldo''''' is a 1982 film written and directed by [[Werner Herzog]]. It’s based on the life of real rubber baron Carlos Fitzcarrald.
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The movie is famous for its [[Troubled Production]], lasting more than four years, where Herzog really dragged a 320-ton boat over the land (with an inclination of 40 degrees) using methods even more difficult than the ones used by the real man. Also, the raving personality of [[Klaus Kinski]] got loose because of the isolation and the technical difficulties. It was so epic that a documentary of the making of the film was made, ''Burden of Dreams''.
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=== Tropes in this film: ===
 
 
{{tropelist}}
* [[Biopic]]
* [[Cool Boat]]: The ''Molly AidaAïda''.
* [[Determinator]]: Fitzcarraldo. He won’t stop to reach his goal of building an opera house in Iquitos, even though he already failed with a previous enterprise (a trans-Andean railway) and he definitely won’t stop his journey just because the river he wants to reach is several hundreds of miles apart from where his boat is.
** Herzog also qualifies, because in spite of all the trials and tribulations of the film, he never stopped working on it.
* [[Bittersweet Ending/Live-Action Films|Bittersweet Ending]]: Fitzcarraldo's business plan failed. However, he made it out with his life and (while needing repair) the boat he got a loan for. He also proved that his crazy idea could have worked, and was able in some capacity to stage an opera at Iquitos. Generally, the feeling is that a dreamer is never distracted from the next dream for long (for better or worse).
* [[Downer Ending]]: {{spoiler|The plan to move the boat is a success, but the Indians betray him and Fitzcarraldo is lucky to keep his life and the boat after the rapids}}. He seems happy at the end, though.
** What? How can this possibly be a <!--[[Downer Ending]]?: {{spoiler|FitzcarraldoThe SUCCEEDEDplan into hismove originalthe objective,boat tois bringa operasuccess, tobut Iquitos,the whenIndians hebetray foundhim outand thatFitzcarraldo theis operalucky companyto waskeep availablehis life and neededthe boat transportafter the rapids}}. SeeHe aboveseems underhappy [[Crowningat Momentthe ofend, Awesome]]though.}}
** What? How can this possibly be a [[Downer Ending]]? {{spoiler|Fitzcarraldo SUCCEEDED in his original objective, to bring opera to Iquitos, when he found out that the opera company was available and needed transport. See above under [[Crowning Moment of Awesome]].}}-->
* [[Fingore]]: During the filming of the rapids scene, one of the crewman on the boat fractured some of his fingers.
* [[God Guise]]: Subverted. In order to get the manpower to drag the boat up the mountain, Fitzcarraldo and his crew try convincing a bunch of natives who conveniently have a legend about a divine power with a white vessel that Fitzcarraldo is a God. The natives inform them that they weren't born yesterday, but decide to help out anyway in exchange for ice.
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* [[No OSHA Compliance]]: The natives work with the pulleys in horrible conditions. They seriously ran the risk of losing their lives if something went wrong. In-universe, a couple of them die; in real life, at least one actor did.
* [[River of Insanity]]: Even more off-camera.
{{quote| '''Werner Herzog''': Kinski always says [nature] is full of erotic elements. I don’t see it so much as erotic. I see it more as full of obscenity.... Nature here is violent, base. I wouldn’t see anything erotical here. I would see fornication, and asphyxiation, and choking, and fighting for survival,... just rotting away. Of course there is lots of misery but it is to say misery that is all around us. The trees here are in misery, the birds here are in misery. I don't think they sing, they just ''screech in pain''.}}
* [[Scenery Porn]]
* [[Sliding Scale of Cynicism Versus Idealism]]: Fitcarraldo is the embodiment of idealism.
* [[Soundtrack Dissonance]]: [[Exploited Trope|Exploited]] by Fitzcarraldo when he plays Puccini from the prow of the ''Molly Aïda'', defying the brooding jungle on the banks of the river they are traversing (and too the drumbeats that emerge from it).
* [[Subbing Versus Dubbing]]? The answer: Shoot every scene twice, once with the actors speaking German, and again with them speaking English (with varying thickness of accent).
* [[Ugly Guy, Hot Wife]]: Klaus Kinki doesn't hold a candle to Claudia Cardinale.
* [[Very Loosely Based on a True Story]]
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[[Category:Roger Ebert Great Movies List]]
[[Category:Films of the 1980s]]
[[Category:German MediaFilms]]
[[Category:Fitzcarraldo]]
[[Category:Film]]
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