Fujisaki Kou: Difference between revisions

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Fujisaki Kou is a prolific [[Boys Love Genre]] [[Manga Ka]], with a very distinctive (and often divisive) art style. Fujisaki began publishing one-shots in 1996, but first began writing serial stories in 2001 with ''[[Happy Yarou Wedding (Manga)|Happy Yarou Wedding]]''. Roughly a third of the author's works take place in the same universe as ''Happy Yarou Wedding'', and more are always appearing.
Fujisaki Kou is a prolific [[Boys Love Genre]] [[Mangaka]], with a very distinctive (and often divisive) art style. Fujisaki began publishing one-shots in 1996, but first began writing serial stories in 2001 with ''[[Happy Yarou Wedding (Manga)|Happy Yarou Wedding]]''. Roughly a third of the author's works take place in the same universe as ''Happy Yarou Wedding'', and more are always appearing.


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Revision as of 05:58, 26 November 2013

Fujisaki Kou is a prolific Boys Love Genre Mangaka, with a very distinctive (and often divisive) art style. Fujisaki began publishing one-shots in 1996, but first began writing serial stories in 2001 with Happy Yarou Wedding. Roughly a third of the author's works take place in the same universe as Happy Yarou Wedding, and more are always appearing.


Works:

Associated tropes:

  • Breakout Character: Possibly part of why Fujisaki keeps adding new works to The Verse is because of the positive response of readers to minor characters who then get their own story.
  • Crazy Jealous Guy: Possessive lovers are something of a staple in Fujisaki's manga.
  • If Its You Its Okay: The majority of Fujisaki's characters (except maybe Kaoru and Ian) consider themselves straight but willing to make exceptions.
  • Masculine Lines Feminine Curves: Though women don't tend to play a prominent role in the author's works, when they appear they are always very curvy, while the men are much more angular.
  • One Head Taller: Unusual in that instead of drawing the ukes smaller like many Boys Love authors do, the semes are drawn as that much bigger. Than everybody.
  • Really Gets Around: Mysteriously, however, none of the characters ever have ST Is.
  • Salaryman: The stars of many of Fujisaki's works are white-collar workers in Japan.
  • The Verse: The entire Todou-related continuity. The series has no title, but when familiar characters begin appearing you know the setting it's happening in.