Humoresque Progression: Difference between revisions
Content added Content deleted
m (clean up) |
Looney Toons (talk | contribs) (examples template, added category) |
||
| Line 8: | Line 8: | ||
This list contains both relative minor (i VI VII III) and relative major (vi IV V I) examples. |
This list contains both relative minor (i VI VII III) and relative major (vi IV V I) examples. |
||
{{examples}} |
|||
== Relative minor examples (i VI VII III) == |
== Relative minor examples (i VI VII III) == |
||
* The trope namer is Dvořák's "Humoresque" #7 in G flat major. [http://www.youtube.com/watch?v=WmAZoexenx8#t=1m19s This link] goes to the middle section of the piece, where it most famously appears. |
* The trope namer is Dvořák's "Humoresque" #7 in G flat major. [http://www.youtube.com/watch?v=WmAZoexenx8#t=1m19s This link] goes to the middle section of the piece, where it most famously appears. |
||
| Line 45: | Line 46: | ||
[[Category:Chord Progression]] |
[[Category:Chord Progression]] |
||
[[Category:Humoresque Progression]] |
[[Category:Humoresque Progression]] |
||
[[Category:Music Theory]] |
|||