Les Misérables (theatre): Difference between revisions

no edit summary
(Trivia)
No edit summary
 
(5 intermediate revisions by 2 users not shown)
Line 1:
{{work}}
[[File:lesmis25_5931.jpg|frame]]
{{quote|''[[Awesome Music (Sugar Wiki)|Do you hear the people sing?]] / [[Angry Mob Song|Singing a song of angry men]].
Line 12:
Produced in thirty-eight countries and twenty-one languages, with over seventy official recordings, ''Les Misérables'' is quite possibly the most popular, most-performed work of musical theater ever written.
 
A [[Les Misérables (2012 film)|film adaptation]], produced by Cameron Mackintosh, directed by ''[[The King's Speech]]'' veteran Tom Hooper, and starring [[Hugh Jackman]] as Valjean and [[Russell Crowe]] as Javert, was released on 14 December 2012.
 
{{tropelist}}
Line 18:
* [[The Alcoholic]]: Grantaire. And some productions more than others emphasize Fantine becoming addicted to drink.
* [[All Musicals Are Adaptations]]
* [[Anyone Can Die]]: Proven true, namely with the case of {{spoiler|Gavroche}}.
* [[The Artful Dodger]]: Gavroche. "This only goes to show what little people can do!"
* [[Badass Grandpa]]: Jean Valjean.
Line 29:
* [[Crucified Hero Shot]]: The death of {{spoiler|Enjolras}}.
* [[Dark Reprise]]: ''Every'' song gets a reprise. Most of them increasingly depressing.
* [[Death by Despair]]: {{spoiler|Jean Valjean, after being separated from Cosette.}}.
* [[Defiled Forever]]: Fantine.
* [[Demoted to Extra]]: Inevitable, in this show, but Gavroche gets ''a lot'' more screen time in the book than in the play because his subplot's cut, going from one of the more memorable characters to a few solos and glossing over the fact that he's a Thénardier. Barring a change in songs, though, his {{spoiler|death scene}} is kept mostly intact.
* [[Determinator]]: Javert.
* [[Did Not Do the Research]]/[[Artistic License]]:
** There are sometimes moments, such as the line "They were schoolboys, never held a gun" in the song ''"Turning''". When you consider that nearly everyone who died had fought on the barricades only 2 years before in 1830, and some in other riots, the idea that none of them had fought before is a little ludicrous.
** The use of convicts as actual galley slaves in the new 25th anniversary production is also an example of this, since this had been abolished in the eighteenth century.
* [[Dissonant Laughter]]: It's common to have Thénardier let off some cackles during the "Dog Eats Dog" number. Considering that he's {{spoiler|gleefully looting the bodies of murdered men, and singing about how the world is [[Crapsack World|a sack of crap]], he ''definitely'' counts.}}.
* [[Doomed Moral Victor]]: Les Amis.
* [[Double Entendre]]: "I smell women, smell 'em in the air / Think I'll drop my anchor in that harbor over there..."
* [[Dressing as the Enemy]]: Javert disguises himself as an insurgent and lies low in order to spy; Valjean wears a French National Guard uniform so he can cross the barricade.
* [[Driven to Suicide]]: {{spoiler|Javert,}}, because of the cognitive dissonance caused by having his life saved by Valjean.
* [[The Dumbledore]]: The Bishop of Digne.
* [[Dying Declaration of Love]]: Éponine, to Marius, in the song "A Little Fall Ofof Rain".
* [[Earn Your Happy Ending]]: Jean Valjean is practically the poster boy for this trope.
* [[Embarrassing Rescue]]: Valjean sees Javert is slated for execution and requests that he have the privilege of killing the spy. Being killed by Valjean squares with Javert's rigid view of the world and he accepts it, feeling like a martyr. When Valjean unties him, fires into the air and urges him to flee, Javert at first thinks it's a trick, and is so shocked that he later self-terminates due to the ensuing cognitive dissonance. His entire view of the world is crumbling, and furthermore, as long as he is alive he must pursue Valjean, but at the same time, he feels he should not pursue a man who saved his life.
* [[Exactly What It Says on the Tin]]: The Miserable People.
* [[Flanderization]]: It's inevitable with such a [[Compressed Adaptation]]... but there is more to Javert than chasing Valjean (snuff, for instance) and there's more to Éponine than loving Marius (insanity, for instance.).
* [[Fourth Date Marriage]]: Subverted. Marius and Cosette are sighing that they were born to love each other after about twenty minutes of conversation. But after Marius is gravely injured, Cosette nurses him during a convalescence of at least several weeks, and their relationship grows much stronger for it.
* [[Good Shepherd]]: The Bishop of Digne.
Line 56:
* [[Icon of Rebellion]]: The red flag, which was used as a symbol of revolution since 1789.
* [[Identical Stranger]]: Champmathieu, who almost takes the rap for Valjean.
* [[If I Can't Have You]]: Éponine. In the song "One Day More,", Marius is trying to decide whether to follow Cosette to England or fight with the students. Éponine, standing there with him, practically makes the decision for him by grabbing his arm and then they both run off. A minute later, they are next seen joining Enjolras and the other students, and Marius tells Enjolras "My place is here, I fight with you." In the 2006 revival, Celia Keenan-Bolger (who played Éponine at the time) made this a ''lot'' more obvious. In the revival, Éponine extends her hand out to Marius, and he quickly grabs her hand and they both run.
* [[Ill Girl]]: Fantine is reduced to a "ghost of herself,", suffering from a never-exactly-named disease, and acts as a motivator for Valjean to go and retrieve her daughter, and then disappears from the story.
* [[Infant Immortality]]: Cosette. Also {{spoiler|heartbreakingly [[Averted Trope]] with}} Gavroche.
* [[The Ingenue]]: Cosette as a grown-up.
* [[Inspector Javert]]: The [[Trope Namer]].
* [[Ironic Echo]] &and [[Soundtrack Dissonance]]: Done most certainly deliberately, as many of the songs are re-used throughout the musical for different people, situations and ''moods''. Good examples are "Do You Hear Thethe People Sing?", later re-used for the revolutionaries' chorus in the finale, with altered text. Another example is the prisoners' "Work Song", which is later re-used for the beggars' "Look Down", once again with altered lyrics (however, the situations are so painfully similar that these tropes are [[Justified Trope|perfectly justified]]).
* [[It Was a Gift]]: Valjean's candlesticks from the Bishop of Digne. He keeps them until the end of his life.
* [[Karma Houdini]]: The only reprisal Monsieur Thénardier suffers for all his villainy is a punch in the face from Marius, right before "Beggars at the Feast". His wife gets off scot-free.
* [[Killed Mid-Sentence]]:
** Mid-song, in the case of {{spoiler|Gavroche}}.
** {{spoiler|Éponine}} also dies mid-song.
** Depending on the production, Valjean can be implied to {{spoiler|die either at Fantine's "Come with me" or at "To love another person is to see the face of God".}} .
* [[Kill Him Already]]: Justified, because much as the rebels would like to kill Javert, they have a reason for holding him prisoner for an extended length of time: they are conserving their powder and bullets, and consider killing him any way other than shooting him to be reprehensible and beneath them.
* [[Kill Me Now or Forever Stay Your Hand]]: Javert to Valjean. [[Driven to Suicide|Javert does not take it well.]]
Line 83:
** "I Dreamed a Dream" pretty much defines this trope.
** "Turning" has the same melody as "Lovely Ladies", and is even worse. It is slowed down a bit.
** Also, "BeggarBeggars at the Feast". Sure, the upbeat melody works for the wedding and the characters... then you realize they got here after robbing from the dead, and that their daughter and, it's implied, {{spoiler|Gavroche}} have both died. "Clear away the barricades and we're still there" sounds a lot worse afterwards.
* [[Memetic Number]]: 24601, the prison number of Valjean.
* [[Memetic Outfit]]: Valjean's prison outfit, Cosette's black dress, Éponine's trenchcoat and hat, and the "[[Fan Nickname|Red Vest Of Doom]]" that Enjolras wears from the Act 1I finale onwards.
* [[The Messiah]]: Valjean, and to a much lesser extent, Enjolras.
* [[Mood Whiplash]]: Mostly in a lot of cast recordings where the reprise of "A Heart Full of Love" is cut, but it goes from the long, dark, depressing line of songs starting from "Dog Eats Dog" to "Empty Chairs at Empty Tables" to... a triumphant wedding chorale and "BeggarBeggars at the Feast". It's incredibly jarring.
* [[Multiple Demographic Appeal]]: Hot men! Gorgeous women! Incredible music! A glorious revolution! Death! Bloodshed! Humor! This show has ''everything''.
* [[No Good Deed Goes Unpunished]]:Where to start, poor Jean.
Line 95:
* [[Official Couple]]: Marius and Cosette.
* [[Pair the Spares]]: Many fanfic writers seem to think that Éponine and Enjolras should be paired, on the basis that they are both single.
* [[Paper-Thin Disguise]]: Javert when he tries to {{spoiler|spy on the Amis of the ABC.}}. That is, until he is {{spoiler|exposed by Gaveroche.}}.
* [[Plucky Comic Relief]]: The Thénardiers, in a stark contrast to the novel.
* [[Rain Aura]]: The musical has a song that involves this.
* [[Red Light District]]: At least some interpretations of the show set ''"Lovely Ladies''" in this area of Montreuil-sur-Mer. Others call it the Docks but imply the same thing.
* [[Relationship Compression]]: Marius/Cosette.
* [[Remake Cameo]]: Colm Wilkinson, the original Jean Valjean, will be playing the Bishop of Digne in the film version.
* [[The Revolution Will Not Be Vilified]]: The Friends of the ABC are portrayed as heroic defenders of the common man.
Line 106:
* [[Voice Types|The Soprano]]: Cosette, so SO much.
* Song Types:
** [[BSOD Song]]: In the musical, "Soliloquy (Javert's Suicide)" is this trope embodied.
** [[Angry Mob Song|The Revolution Will Not Be Vilified Song]]: "Red and Black," "Do You Hear the People Sing?", we could go on.
** [[BSOD Song]]: In the musical, "Javert's Suicide" is this trope embodied.
*** Also a good example of a [[Sanity Slippage Song]].
** [[Counterpoint Duet]]: "A Heart Full Ofof Love" when Éponine's voice contrasts the utter sappiness that is this song.
*** [[Your Mileage May Vary|... or in which Éponine's stalkerish-ness contrasts the utter adorable/heartwarming love that is this song.]]
*** "Confrontation" is a semi-example, since Valjean and Javert sing together throughout, but do switch melody lines
** [[Crowd Song]]: "Do You Hear the People Sing?", among ''many'' others.
** [[Death Song]]: "Come To Me,", "A Little Fall of Rain,", "Soliloquy (Javert's Suicide,)" and the "Epilogue".
** [[The Eleven O'Clock Number]]: "Wedding Chorale".
** [[Epic Song]]: "Do You Hear the People Sing?", its reprise, and, ''of course,'', "One Day More.".
** [[Final Love Duet]]: "A Heart Full of Love" comes towards the end of Act I, and Cosette sings "Every Day" towards the end of Act II to console Marius.
** [[Ghost Song]]: "Epilogue". Inverted by "Empty Chairs at Empty Tables".
** [[Grief Song]]: "Empty Chairs at Empty Tables" and "I Dreamed a Dream.".
*** After "A Little Fall of Rain,", Éponine gets a brief tribute from the Friends of the ABC.
** [["I Am Becoming" Song]]: [[Heel Face Turn|"WhoWhat AmHave I Done?"]] isand theCosette's very"In obviousMy example;Life". alsoAlso, "IFantine's Dreamedpart aof Dream"Lovely and Ladies"Master ofis theher House{{spoiler|becoming a prostitute}}."
** [["I Am Becoming" Song]]: [[Heel Face Turn|"WhatWho HaveAm I Done?"]], andis Cosette'sthe "Invery Myobvious Life."example; Alsoalso, Fantine's"I partDreamed ofa Dream"Lovely Ladiesand "Master isof herthe {{spoiler|becoming a prostituteHouse".}}
** [["I Want" Song]]: "On My Own", "In My Life", "Stars", and "Castle Onon a Cloud".
** [[Massive Multiplayer Ensemble Number]]: "One Day More".
** [[Angry Mob Song|The Revolution Will Not Be Vilified Song]]: "Red and Black,", "Do You Hear the People Sing?", we could go on.
** [[The Eleven O'Clock Number]]: "Wedding Chorale"
** [[The Song Before the Storm]]: "One Day More" and "Bring Him Home.".
** [[Villain Song]]: "Master of the House,", which doubles as the single catchiest song in the show. The same character has a straight villain song in "Dog Eat Dog.". "Stars" is an [[Anti-Villain]] song.
*** "Beggars at the Feast" is also a straight [[Villain Song]].
** [["The Villain Sucks" Song]]: "Master of the House", oddly; Thénardier's part (the main part) is a straight [[Villain Song]], but when his wife starts singing it turns into this (though she is also a villain).
** "Beggars at the Feast" is also a straight [[Villain Song]].
* [[Sour Supporter]]: Grantaire.
* [[Spared by the Adaptation]]: {{spoiler|Mme. Thénardier.}}.
* [[Stalker with a Crush]]: Éponine.
* [[Stay with Me Until I Die]]: Both Fantine and {{spoiler|Éponine.}}. "For God's sake, please stay 'till I am sleeping -- and tell Cosette I love her and I'll see her when I wake..."
* [[Stern Chase]]: Javert hounding Valjean for decades. (Whichwhich is really an artifact of adaptation distillation/compression; Javert is not such a monomaniac in the book.). Some do at least give the impression he actually did other things, but keeps hearing about that ONE guy...
* [[Still Wearing the Old Colors]]: Thénardier wears a Napoleonic uniform at the start of the play as a remnant from his supposed days as a soldier (if by "soldier", you mean "guy who looted corpses on the battlefield").
* [[Sung Through Musical]]
* [[Survivor Guilt]]: "Empty Chairs at Empty Tables.".
* [[Take a Third Option]]: Javert is stuck between arresting Valjean or letting him go in a certain climactic scene. Instead, he {{spoiler|commits suicide}}.
* [[Take Care of the Kids]]: Fantine, depending on the actress, she might not be aware of her impending death -- however, Valjean is, and he assures her before she dies that he will raise Cosette and take care of her.
Line 144:
** And the Bishop of Digne.
* [[Unholy Matrimony]]: The Thénardiers.
* [[Villainous Breakdown]]: "Soliloquy (Javert's Suicide)" is this in song form.
* [[Wham! Line|Wham Song]]/[[Wham! Episode|Wham Scene]]: The barricade battle scene. By the end of it, half the cast is dead, including {{spoiler|Enjolras, Gavroche, all the barricade boys, and Éponine}}.
* [[Wide-Eyed Idealist]]: Marius, Enjolras, heck all the ABCs except Grantaire.
** [[Your Mileage May Vary|YMMV]] '''to the extreme''' on that. If you're aware of your history/the actors do their research, it becomes pretty apparent that all of them went in eyes wide open. After all, they had all participated in a nearly-succesful revolution just two years prior ... They knew exactly what to expect.
* [[You Are Number Six]]: Despite the fact that the book hardly mentions Valjean's prison numbers (yes, in the book, he has two), the musical is crazy about this one. Actual counting reveals that Javert calls Valjean more often by his number than his name. Valjean refers to himself as "24601" once.
 
Line 154:
[[Category:Films of the 2010s]]
[[Category:The Musical]]
[[Category:TheatreTheatrical Productions]]
[[Category:Les Misérables]]
[[Category:Les Misérables (theatre)]]
[[Category:Les MisérablesFilm]]