My Fair Lady: Difference between revisions

added trope
(Trivia)
(added trope)
 
(18 intermediate revisions by 5 users not shown)
Line 2:
[[File:My_Fair_Lady_poster_7599.jpg|frame]]
 
{{quote|''Why can't the English teach their children how to speak?''<br />
''This verbal class distinction by now should be antique.''<br />
''If you spoke as she did, sir, instead of the way you do,''<br />
''Why, you might be selling flowers, too!''|'''Henry Higgins''', "Why Can't The English?"}}
|'''Henry Higgins''', "Why Can't The English?"}}
 
While most people are more familiar with the 1964 [[Audrey Hepburn]] film from [[Warner Bros]], '''''My Fair Lady''''' started life as a stage [[Musical]] by Alan Jay Lerner and Frederick Loewe, based on [[George Bernard Shaw]]'s ''[[Pygmalion]]'', and starring [[Julie Andrews]] and [[Rex Harrison]]. It was a smash hit when it opened in 1956, and set new records for the longest run in Broadway musical history (a title now held by ''[[The Phantom of the Opera]]'', which is still running).
Line 11 ⟶ 12:
The musical follows the young Eliza Doolittle, an outspoken and hopeful flower girl in Edwardian England who takes elocution lessons from Professor Henry Higgins, who (as a result of a bet with the kindly Colonel Pickering) promises to turn her into "a lady." He then trains her, day and night, using some downright bizarre machinery and techniques (the marbles make sense, but some of the others...)
 
When Higgins attempts to try Eliza out on Society by introducing her into his mother's box at Ascot, the transfigured flower girl also encounters young Freddy Eynsford-Hill, who, unaware of Eliza's true social standing, is instantly smitten -- despite Eliza's humiliating lapse into vulgarity at the running of the horserace itself.
 
The lessons finally culminate in the Embassy Ball, at which ambassadors, lords, and the Queen and Prince of Transylvania will be present. The ball, despite the presence of the venal language expert Zoltan Kaparthy, goes incredibly well; Eliza dances with the prince and many at the ball believe Kaparthy's identification of Eliza as a Hungarian princess(!).
 
Then the relationship between Eliza and Higgins, which had been steadily improving, takes a huge blow when Higgins takes all the credit for Eliza's success. Eliza is understandably saddened and enraged and she leaves the house after an outburst that leaves Higgins angry and confused; the rest of the play involves them figuring out their relationship in their own way, though if it works out in the end is left to the viewers' interpretations.
 
The film follows this plot exactly, and was very well received as well, winning 8 [[Academy Award|Academy Awards]]. The filming of the movie took place at the time of President Kennedy's assassination; actress [[Audrey Hepburn]] made a speech to the cast and crew on the day.
 
The movie was named to the [[National Film Registry]] in 2018.
----
 
=== Tropes ===
{{tropelist}}
* [[Actor Allusion|Author Allusion]]: In the Film, near the beginning we get a glimpse of Henry Higgins' notebook, which he's using to transcribe people's accents. It's unreadable... unless you understand [[wikipedia:Shavian|the Shavian alphabet]], whose creation was funded by George Bernard Shaw.
* [[Adaptation Decay]]: [[Averted Trope|Not enough, really]]. One peculiarity about the film is how it uses the old stage directions, even the [[Medium Awareness|meta]] jokes that don't work in a movie setting. Instances of this include Higgins doing a short jig at the horse race -- a [[Call Back]] to "I Could Have Danced All Night" -- but without the knowing laughter of a live audience, he merely looks a like a lunatic. He also sets a teacup on his hat, a gesture which would be funny on-stage, but looks ''really'' odd in this context.
* [[Adorkable]]: Freddy gets positively randy over Eliza's bad social graces.
Line 34 ⟶ 35:
* [[Break the Haughty]]: Mrs. Higgin's favorite sport with her son, and delights in Eliza putting him in his place in front of her.
* [[British Accents]]: Received Pronunciation ("Queen's English") as enforced by Henry Higgins. A wide variety of other, more ''common'' ones, especially during the opening scenes.
{{quote| Eliza: "''Eeyyyyaaaoooowwww!!''"<br />
(...)<br />
Higgins: "How many vowel sounds did you hear altogether?"<br />
Pickering: "l believe l counted 24."<br />
Higgins: "Wrong by 100. To be exact you heard 130." }}
* [[British Stuffiness]] / [[Dull Surprise]]: "The Ascot Gavotte." The English sure know how to party.
* [[Bunny Ears Lawyer]]: He may be lord of the manor, but Higgins' weirdness is very apparent in public.
* [[CannotCan't StandLive with Them, CannotCan't Live Without Them]]: Eliza and Henry, to each other.
* [[Catch Phrase]]: "I'm dashed." -- Pickering
{{quote| '''Higgins:''' Oh, Pickering, for God's sake [[Lampshade Hanging|stop being dashed and do something!]] }}
* [[Chorus-Only Song]]: "Ascot Gavotte" / "Servant's Chorus" (film only).
* [[Con Man]]: Alfie.
Line 51 ⟶ 52:
* [[Dances and Balls]]: The Embassy Ball.
* [[Dark Reprise|Dark(er) Reprise]]: "Just You Wait" gets a reprise shortly after "You Did It". This time, [[It's Personal]].
* [[Deconfirmed Bachelor]]: Henry Higgins embodies this trope, having said 'So here I am, a confirmed old bachelor and likely to remain so' and so much more. The only hang up is that he can actually be considered deconfirmed by the end-- though most people agree he had at least befriended and came to care about Eliza by the end-- and since he is such an extreme case that he'd never even had a female friend before, by his own admission, this could still be enough of an about face to qualify him.
* [[Did Not Do the Research]]: Henry Higgins REALLY should have known that, when referring to the form of execution, it's hanged, not hung.
* [[Dogged Nice Guy]]: Freddy, in what would be considered stalking by today's terms.
Line 59 ⟶ 60:
* [[Dude, Where's My Respect?]]: Eliza is ''extremely'' angry over how Higgins gets all the praise for fooling everyone at the Embassy ball.
* [[The Edwardian Era]]: 1912, to be precise. ([[Fridge Horror|Makes one rather wonder]] about Freddy's [[World War I|fate]].)
** In a flash of [[Fridge Brilliance]], this may imply a case of [[Death of the Hypotenuse]].
** In 1912, Edward VII had been dead for two years so strictly speaking the New Georgian Era.
*** In historical terms, the Edwardian Era lasted from the death of Queen Victoria until the First World War.
* [[Entertainingly Wrong]]:
{{quote| And although she may have studied with an expert dialectitiandialectician and grammarian,<br />
I can tell that she was born -- Hungarian!<br />
...Not only Hungarian, but of royal blood. }}
* [[Epic Movie]]: Huge cast, lavish sets and costumes, long (nearly 3 hours), highly promoted, award bait? Yep, it was an epic movie.
* [[Fanfare]]: "The Transylvanian March".
* [[Fee Fi Faux Pas]]: Eliza's outburst at the races, to her (and Henry's) embarrassment.
Line 78 ⟶ 79:
* [[Got Me Doing It]]: The voice exercises start getting to poor Pickering after awhile. "'Ave you troid the ploin cayke?"
* [[Grief Song]]: "I've Grown Accustomed To Her Face" arguably, since it's a combination of grief and anger.
* [[Hates Everyone Equally]]: Higgins' defense to Eliza's charge that he still treats her like rubbish. In point of fact, he treats ''everyone'' like that -- and he's proud of it, too.
* [[He-Man Woman Hater]]: Henry is very misogynistic, though he insists he's not. In fact, he's got a whole song dedicated to whining about how much he dislikes women ("An Ordinary Man"). The end of the play may have helped him get over it, but again, it's up to viewer interpretation.
** ''Two'' whole songs -- there's also "A Hymn to Him" ([[Refrain From Assuming|a.k.a.]] "Why Can't a Woman Be More Like a Man?").
* [[Heterosexual Life Partners]]: Both Higgins and Pickering have that "confirmed bachelor" vibe thing going for them.
** Higgins even uses that exact phrase, then shudders at the idea of marriage. He also has a hard time admitting Eliza "might" be attractive when he suggests she marry herself off (cue flamboyant flourish), laments that women aren't more like men, and while all this might have been intended as [[Belligerent Sexual Tension]] it's taken so far that the idea of a sexual/romantic relationship between him and Eliza becomes ... a stretch.
** Higgins asks Pickering where one can find a Ladies' Dress Shop. Pickering replies so quickly, Higgins asks how he would know. Pickering clears his throat and says "Common knowledge" (despite having just arrived in London from years living in India).
** If you insist, you ''can'' interpret Higgins' "Why Can't A Woman Be More Like A Man" number as evidence.
* [[Hypocritical Humor]]: As they prepare for the ball, Pickering [[I Need a Freaking Drink|downs a glass of port]] while cursing Higgins for his constant serenity. Before they leave, however, Higgins peeks over his shoulder and gulps some wine.
** "I've Grown Accustomed to Her Face." He's [[False Reassurance|a most forgiving man]].
* [["I Am" Song]]: "With a Little Bit of Luck" and "An Ordinary Man".
* [[I Meant to Do That]]: In the midst of being thoroughly castigated by Eliza, Higgins springs up from his chair and claims credit for her self-confidence. What a chodechide.
* [["I Want" Song]]: Eliza's "Wouldn't It Be Loverly?": she wants a cosycozy warm room, a comfy chair, and [[Everything's Better with Chocolate|lots of chocolate]].
* [[I Uh You Too]]: Higgins finally confesses to Eliza that he's going to miss her... then quickly follows it up by saying Pickering misses her, too.
* [[Innocent Flower Girl]]: Eliza at the start of the story. The later battle to get her bathed kind of proves her innocence.
Line 98 ⟶ 99:
** [[Alfie|What's it allll aboooout....Alfie?]]
* [[Last-Second Word Swap]]:
{{quote| ''You, dear friend, who talk so well<br />
You can go to...Hartford, Heresford and Hampshire!'' }}
* [[Lighter and Softer]]: Much more so than the original Shaw play.
* [[Lyrical Dissonance]]: "Ascot Gavotte," wherein upper-class gents and ladies sing about "a ripping, absolutely gripping moment" with all the enthusiasm of a funeral host.
* [[Maybe Ever After]]: {{spoiler|Eliza and Henry}} are reconciled at the end, but are they a romantic couple now, or what? The answer is only hinted.
* [[May-December Romance]]: What may have happened between the 21-year-old Eliza and the much older Higgins, who is at least twice her age.
* [[Meaningful Name]]: A name like Doolittle totally makes sense for someone like Eliza's father. Eliza herself, [[Unfortunate Name|on the other hand...]]
* [[Missing Mom]]: Seeing as Eliza's father remarries, and his side comments about his old wife are along the lines of "You look just like her, Eliza" and "Just like her, you never give me money!" it can be safely assumed Eliza's mother is dead.
Line 111 ⟶ 112:
** Honorable mention goes to Henry's teacup and saucer.
* [[No Sympathy]]: The servants express more compassion for Higgins than his hapless student (Doesn't rest / Doesn't eat / Doesn't touch a crumb!) [[Description Cut|Cut]] to Higgins munching on cakes while Eliza is wasting away.
* [[Non-Singing Voice]]: Marni Nixon did most of Audrey Hepburn's singing for the movie; this is at least partially responsible for the [[Award Snub]] mentioned above. And no, Marni Nixon's name appeared ''nowhere'' in the original credits.
** However, when video of Hepburn's original vocal performances was released in the 1990's, many fans found Nixon's overdubbing to be completely unnecessary.
** Also, Jeremy Brett as Freddy was dubbed by Bill Shirley (AKA [[101 Dalmatians|Roger]] (singing) and [[Sleeping Beauty (Disney film)|Prince Philip]]).
*** Out of all of them, Brett was the one who ''could'' sing. Look him up on [[YouTube]]. But his singing voice was thought too mature for Freddy.
** Rex Harrison couldn't actually sing either, but he developed a sort of recitative to compensate.
** Julie Andrews could sing the songs just fine; after all she effectively created the role of Eliza both on Broadway and leter in London. She was passed over for the film because [[Executive Meddling|the producers insisted on having a big box-office name in the cast]]. [[My Fair Lady]] won three of the four headline Oscars (along with several others) but missed out on Best Actress, which went to [[Take That|Julie Andrews]] for [[Mary Poppins]].
* [[Nursery Rhyme]]: The title, of course, comes from "London Bridge is falling down", a snatch of whose melody is heard at the beginning of "Get Me To The Church On Time".
* [[Obsession Song]]: "On the Street Where You Live". Considering that Freddy continues to wait outside for several days: possibly weeks -- this song can get creepy for some viewers.
Line 127 ⟶ 122:
** Alfie gets one when he cajoles Eliza to be self-reliant, as "she's a lady now."
* [[Pimped-Out Dress]]: See the photo; also, her gown for the Embassy ball.
* [[Plank Gag]]: Happens during the "With A Little Bit Of Luck" song, since Alfie Doolittle is singing in what seems to be a construction area and there is inevitably someone who swings a plank around and someone else gets hit by it.
* [[Precision F-Strike]]: '''MOVE YER BLOOMIN' ARSE!'''
* [[Princess for a Day]]: Well, for several months. Eliza's training is to help her pass as a "lady."
* [[A Pupil of Mine Until He Turned to Evil]]: Though it's hard to fathom Higgins giving rise to someone even [[Up to Eleven|less ethical]] than he. Zoltan uses his linguistics abilities "more to blackmail and swindle than teach."
* [[Pygmalion Plot]]: Duh.
* [[Rags to Royalty]]: Well, upper middle class. And she ''was'' able to be taken for nobility.
* [["The Reason You Suck" Speech]]: Both Eliza and Henry deliver these to each other. Several times. Henry even gets a Reason Your Speech Sucks Speech.
** Eliza even gets a Reason You Suck ''Song'' ("Just You Wait").
* [[Revised Ending]]: Compared to ''Pygmalion''. Alan Jay Lerner borrowed the final scene where Eliza comes back to Higgins from Gabriel Pascal's (non-musical) film of ''Pygmalion'', which managed to create this Revised Ending (which Shaw loathed) by recycling earlier lines, to get around the contractual stipulation that every single line of dialogue would be written by Shaw (and credited to him). (It's probably worth noting that the original cast of the ''Pygmalion'' didn't like Shaw's ending either and subverted it as much as they could. Henry and Eliza would take their curtain call together, posed as if they were bride and groom.)
{{quote|''"...Shaw explains how Liza ends not with Higgins but with Freddy and -- Shaw and Heaven forgive me! -- I am not certain he is right."''
|'''Alan Jay Lerner''', note in a published edition of ''[[My Fair Lady]]''}}
* [[Romantic False Lead]]: Freddy
** Or Higgins. It's left very ambiguous.
Line 140 ⟶ 138:
* [[She Cleans Up Nicely]]: See the image; when first introduced Eliza's very dirty and wearing torn-up, worn clothing. The exact words of the trope are used by her father on first seeing her as a 'lady'.
* [[Shot At Dawn]]: Eliza gleefully fantasizes about this happening to Higgins, who is very casual about the whole business before keeling over.
* [[Slap Slap Kiss]]: Eliza and Henry's relationship...and if the play is to be believed, no doubt this would have carried on.
* [[Smug Snake]]: Higgins throughout most of the musical.
* [[Sophisticated As Hell]]: What happens when you combine Eliza's blue language with a posh accent.
* [[Spot of Tea]]: It is set in England, after all!
* [[Springtime for Hitler]]: Higgins sarcastically writing a letter of recommendation for Alfred Dolittle, calling him "one of the original moralists in England." An American philanthropist dies and bequeaths a fortune to Alfie.
* [[Stalking Is Love]]: Freddy. 'Nuff said.
* [[Stealth Insult]]: Eliza gets Higgins with a few. Higgins isn't so good at being stealthy with insults, but doesn't understand why he has to be.
Line 150 ⟶ 148:
** Mrs. Higgins, disgusted by his conduct, [[Ironic Echo|echoes this advice]] in the end.
* [[They Wasted a Perfectly Good Sandwich]]: Higgins and Pickering are too stuffed to finish the last cake tart. Not to worry, says Higgins; he knows somebody who ''loves'' these. He marches right past a famished Eliza to feed it to a parrot.
* [[Training Fromfrom Hell]]: ''Linguistics'' training from hell, although not as over-the-top as some examples.
* [[Tsundere]]: Eliza is Type A, though this largely comes through from being around Higgins; when left with her Cockney friends, she's more Type B.
* [["The Villain Sucks" Song]]: "Without You" is this, as well as being a bit of a [[Anti-Love Song]]. Also "Just You Wait".
* [[Wasted Song]]: Though it gets plenty of screentime, you've got to mention that "On The Street Where You Live" is just too catchy and pretty a song for a secondary [[Love Interest]] who {{spoiler|[[Did Not Get the Girl]]}}, at least in the film.
* [[Westminster Chimes]]: A modified version begins every iteration of "Poor Professor Higgins".
* [[What Could Have Been]]: When [[Twentieth Century Fox]] hired [[Don Bluth]] to direct an animated movie for them, they said he could helm an [[Animated Adaptation]] of either ''My Fair Lady'', or Marcelle Maurette's ''Anastasia''. [[Anastasia|Bluth picked the latter.]]
* [[What Do You Mean It's Not Heinous?]]: Alfred's windfall is a double-edged sword, as he's now forced to enter into legal marriage with "Mrs." Dolittle.
* [[You Can't Go Home Again]]: Fed up with her keeper, Eliza returns to the old neighborhood after her blossoming into a lady, but no one recognizes her.
 
{{reflist}}
{{Academy Award Best Picture}}
[[Category:Roger Ebert Great Movies List]]
{{BAFTA Best Film}}
{{Golden Globe Award Best Motion Picture Musical or Comedy}}
{{AFI's Greatest Movie Musicals}}
[[Category:{{PAGENAME}}]]
[[Category:Films of the 1960s]]
[[Category:AcademyRoger AwardEbert Great Movies List]]
[[Category:MyFilms FairBased Ladyon Musicals]]
[[Category:Films Based on Plays]]
[[Category:Pages with working Wikipedia tabs]]
[[Category:National Film Registry]]