Pizzicato Five: Difference between revisions
Content added Content deleted
No edit summary |
Looney Toons (talk | contribs) (examples template) |
||
| Line 5: | Line 5: | ||
Widely credited to be the spearhead of the "Shibuya-kei" movement, their musical (and, to an extent, visual) style took a lot of influences of [[The Fifties]] and [[The Sixties]], specifically genres popular back then like Bossa Nova, Easy Listening, Ye-yé, and 60's pop. Their catchphrase "A New Stereophonic Sound Spectacular" portrayed perfectly their eager, ironic attitude. |
Widely credited to be the spearhead of the "Shibuya-kei" movement, their musical (and, to an extent, visual) style took a lot of influences of [[The Fifties]] and [[The Sixties]], specifically genres popular back then like Bossa Nova, Easy Listening, Ye-yé, and 60's pop. Their catchphrase "A New Stereophonic Sound Spectacular" portrayed perfectly their eager, ironic attitude. |
||
{{examples|Partial Discography}} |
|||
* ''Pizzicatomania!'' (1987), with main singer Mamiko Sasaki, better known by its [[One Hit Wonder]] "The Audrey Hepburn Complex" |
* ''Pizzicatomania!'' (1987), with main singer Mamiko Sasaki, better known by its [[One Hit Wonder]] "The Audrey Hepburn Complex" |
||
* ''Couples'' (1987) |
* ''Couples'' (1987) |
||