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Erich Wolfgang Korngold: Difference between revisions

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{{quote|''Music is music whether it is for the stage, rostrum, or cinema. Form may change, the manner of writing may vary, but the composer needs to make no concessions whatever to what he conceives to be his own musical ideology.''|Erich Wolfgang Korngold}}
 
'''Erich Wolfgang Korngold''' (1897-1957) was born in Brünn, Moravia, in what was then part of the Austro-Hungarian empire, and is today Brno in [[Useful Notes/The Czech Republic|The Czech Republic]]. Korngold grew up in Vienna, and soon became known as a musical ''Wunderkind'', playing the piano from a very early age, composing his first original works around 1905, and having his two-act ballet/pantomime ''Der Schneemann'' (''The Snowman'') staged at the Viennese Court Opera in 1910. A series of highly praised works followed, culminating with his third and most famous opera, ''Die tote Stadt'' (''The Dead City'') in 1920.
 
Stylistically, Korngold's music is the epitome of the "lush" Late Romantic Austrian/German school of [[Richard Wagner]], [[Gustav Mahler]], and Anton Bruckner: full of sweeping themes, a dramatic use of chromaticism, an abundance of memorable melodies, and the use of [[Leitmotif|Leitmotives]] as emotional guides through the action of a drama. In composing his film scores, Korngold was wont to approach them, he said, as "operas without words."
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