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Certain comic book storylines get written off as [[So Bad It's Horrible (Darth Wiki)|So Bad Its Horrible]], especially if the fans complain loud enough. Maybe the writers were [[Creator Breakdown|having a bad day]]... or perhaps they failed an [[Author's Saving Throw]]. Nevertheless, these things have been condemned by a vocal portion of the fanbase.
 
In some cases, they're ''so'' bad that [[Canon Dis ContinuityDiscontinuity|their creators refuse to acknowledge them,]] preferring to [[Retcon]] their mistakes out of existence. Those are the ''lucky'' ones.
 
'''''Important Note:''''' Merely being offensive in its subject matter is not enough to justify a work as So Bad It's Horrible. Hard as it is to imagine at times, there is a market for all types of deviancy (no matter how small a niche it is). It has to ''fail to appeal even to that niche'' to qualify as this.
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* Bruce Jones' run on the once-spectacular ''Checkmate''. He knew the title was going to be canned when he took it, so he felt free to go insane. How bad was this? He took a gritty, realistic spy thriller and made it about a morphing, amnesiac animal man fighting giant porcupines.
* ''[[Cry for Justice]]'', a DC miniseries by James Robinson that featured [[Green Lantern|Hal Jordan]] trying to create a proactive Justice League (because that always ends well). Nicknamed "Gay for Justice" by readers, thanks to some unfortunate lettering styles. The series features gratuitous gore and violence, characters being dismembered, horrible writing and gross characterization, and everyone constantly shouting "[[For Great Justice|For justice]]!" Put it this way — when the author directly and explicitly apologizes to the fans over the quality of the work, ''twice'', '''before the series has finished''', then you know you're dealing with something '''''awful'''''. It was pointlessly [[Darker and Edgier]], even killing off Lian Harper last-minute for no real reason, and that was just one among a great almighty ''fuckload'' of senseless deaths. Robinson got himself under all manner of fire for its release, despite the fact that he fought tooth-and-nail against the editors, who wanted much, much more in the pointless death and destruction departments. Not two years later, it and both of its follow-ups were retconned in full. [http://thatguywiththeglasses.com/videolinks/linkara/at4w/29265-justice-league-cry-for-justice-1-2 It] [http://thatguywiththeglasses.com/videolinks/linkara/at4w/29356-justice-league-cry-for-justice-3-4 got] [http://at4w.blip.tv/file/4674807/ featured] on ''[[Atop the Fourth Wall]],'' if you're interested.
* DC Comics' weekly series ''[[Countdown to Final Crisis]]'', by most accounts. Bad Writing, bad art, bad characterization, three different names (it started as ''Countdown'', then ''Countdown to Final Crisis'', and the final issue was titled ''DC Universe Zero''), three alternate Earths destroyed to prop up villains fans don't like, tie-in mini-series that explain key plot points that are equally horrible, and an ending that completely contradicted the events that it was created to build up. Shortly after ''[[Fifty Two|52]]'' was finished, Dan Didio asked [[Grant Morrison]] to give some of his (work in progress) scripts of the first several issues of ''Final Crisis''; other than that, it was pretty much controlled by Didio. It also pulled away advertising from the infinitely better ''[[Sinestro Corps War]]'' story that was going on at the same time. The whole thing was declared [[Canon Dis ContinuityDiscontinuity]] the minute it was finished, but it still didn't erase the horrible taste it left in readers' mouths. It was so bad that the intended final issue, ''DC Universe #0'', written by Grant Morrison and Geoff Johns, essentially replaced ''Countdown'' as the real lead-up to ''[[Final Crisis]]'' (the only thing that was acknowledged from ''Countdown'' was Darkseid's death, fall, and reincarnation into a human body as seen in ''[[Seven Soldiers]]''). It was built up to be the spine of the DCU, but quickly became the ''colon''.
* ''DC Challenge'' was an interesting concept — a 12-issue miniseries in which teams of people who normally did not work together would take turns doing stories which could not prominently feature characters they normally worked on, each issue setting up a [[Cliff Hanger]] that the next team would have to solve in the next issue. Unfortunately, [[Round Robin]] stories are hard enough to manage as fanwork. Doing ''this'' professionally would've been difficult, so it wasn't. This quickly degenerated into a confusing mess. By the end, major plot threads had been dropped completely and nobody was ''quite'' sure what was going on — not even the editors at DC.
* Devin Grayson's run on ''[[Nightwing]]'', particularly her attempt to re-enact the plot of ''Born Again'' on the least suitable character in the entire DCU. The sheer amount of characters that would need to be retconned from the DCU (assuming they didn't detach Dick Grayson completely from it) should have kept this from passing the concept phase, but that's just one issue; other gems from this include the rape scene courtesy of [[Author Avatar|Tarantula]]—which she tried to defend as being [[No Except Yes|"nonconsensual" rather than rape]]—and Richard's inexplicable [[Face Heel Turn]] and poorly-explained alliance with Deathstroke, the result of a failed attempt to manufacture a "hero from the ashes" storyline (''[[Infinite Crisis]]'' got in the way) by pointlessly giving Nightwing hell.
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