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Dralion: Difference between revisions
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{{trope}}
[[File:Cirque-Dralion-Logo-296x300_4427.jpg|frame]]
''Dralion'' is [[Cirque Du Soleil]]'s thirteenth production. The original tent tour launched in 1999, and was directed by Guy Caron, who had worked with Cirque in its formative era back in [[The Eighties]].
Asian, and especially Chinese, circuses are famous for their skillful, creative acrobatics and acrobats. Many Asian performers and disciplines have appeared in Cirque shows over the years, and this show is specifically a showcase for them. (The title is a portmentau of "dragon", representing the East, and "lion", representing the West.) It is also simpler thematically than Franco Dragone's work for the company was in [[The Nineties]], with its mostly-new-to-Cirque creative team behind the scenes, but still lavishly staged.
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==== This show contains examples of: ====
* [[Belly Dancer]]: Oceane's outfit and style of dance seem to draw on this trope.
* [[Bilingual Bonus]]: Three songs: "Ballare", "Spirits", and "Ombra".
* [[Book Ends]]: The Little Buddha and his hourglass.
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* [[Epic Song]]: "Kamande" (the finale).
* [[Everything's Better with Spinning]]: Aerial hoop, aerial pas de deux, and foot juggling.
* [[Evil Is Burning Hot]]: Yao is described as being the most morally ambiguous of the elemental gods, though this may just be because he's also a [[War God]].
* [[Holy Child]]: The Little Buddha, who according to [[All There in the Manual|the official website]] "possesses special powers that will allow it to eventually become an Ame-Force".
* [[Limited Special Collectors' Ultimate Edition]]: Besides the standard DVD, which had such bonus features as a documentary short and the option to view some acts from other angles, Sony brought out a "Superbit" version that dropped all the bonuses in favor of using the disc space to maximize its sound and picture quality.
* [[Long Runners]]: The original tent tour made it past the 10-year mark; the arena version will certainly take it further.
* [[Mix-and-Match Critters]]: The eponymous [http://www.richasi.com/Cirque/Dralion/act05.htm dralions].
* [[No Fourth Wall]]: Though there's little genuine [[Audience Participation]]; the clowns warm up the crowd by interacting with them, but it's pretty minimal. {{spoiler|And the one they pick on the most is a plant.}}
* [[The One Guy]]: One male god, compared to three goddesses.
* [[Portmantitle]]
* [[Prongs of Poseidon]]: The trident dance.
* [[Real Life Writes the Plot]] / [[Values Dissonance]]: As discussed in the book ''20 Years Under the Sun'', these are partial explanations for why this show isn't as character/theme-driven as most. Franco Dragone's style involved workshops with performers that got them in touch with their creative sides and from which characters emerged. Caron and his creative team quickly realized that the highly-disciplined Chinese performers brought over for this show weren't comfortable with this, so they decided to focus on the quality of the acrobatic acts instead.
* [[Self-Parody]]: The final clown act is a threadbare parody of all the serious acts.
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* [[Singing Simlish]]
* [[Sliding Scale of Idealism Versus Cynicism]]: Idealist all the way.
* [[Star-Crossed Lovers]]: The aerial pas de deux takes place between Azala and her mortal lover. At the end Azala reluctantly [[But Now I Must Go|goes back to the sky]], leaving the man behind. There's also a certain amount of subtext between Yao and Oceane, however they are kept apart by [[Elemental Rock-Paper-Scissors|their opposite elements]].
* [[Technician Versus Performer]]: The development of this show focused on the former over the latter due to [[Values Dissonance]] with the Chinese performers.
* [[Water Is Blue]]: Averted - since air is blue, water is green instead, though still with some blue tones.
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