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All Dogs Go to Heaven/Headscratchers: Difference between revisions

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m (Dai-Guard moved page All Dogs Go to Heaven (Animation)/Headscratchers to All Dogs Go to Heaven/Headscratchers: Remove TVT Namespaces from title)
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** Maybe they just want to get rid of him? At least for a few more years.
* How did none of the human adults notice a bunch of dogs setting up a casino with flashing lights in a car junkyard?
** That's just a given in stuff where animals have their own little humanesque civilization along ours. Might as well ask "Why are the dogs talking to each other and watching races and having relationships instead of operating on instincts and routine?"
* What exactly do the dogs need with money? And how do they use it? We see them gambling at Carface's casino early on; they are betting bones and steaks and things. Which makes sense, dogs gotta eat. But later on Charlie gambles for money, to fund the construction of his own casino. Fund how? Who does he pay? At one point we see him, Itchy, and Anne Marie use a [[Totem Pole Trench]] to place a bet, so I can buy that he could make a purchase from humans if he really needed to, but that doesn't seem like a normal occurrence. Is the money to buy the steaks and stuff for the dogs to gamble on? How did that work for Carface? Did ''he'' get Anne Marie to help with purchases?
** The dogs probably use money because we use money. They're just copying us. Carface probably steals the steaks... either that or he managed to set up some elaborate arrangement with a butcher using money he stole off of humans, using trial and error. "Here. I'm setting the money down. NO DON'T TAKE IT I AM GROWLING AT YOU. Now I'm staring at the steak. I'm staring at the steak. GROWLING BECAUSE YOU'RE TRYING TO TAKE THE MONEY. Right. Give me the steak. Good human. There, now you can have the money."
* Why was the film set in 1939? There doesn't seem to be any reason for it.
** Because a Depression-era setting worked better for the background story than a modern setting would, as shown in the sequel.
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