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The Eighties/Analysis: Difference between revisions

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'''Entertainment:'''
* Television was going through a rough patch. While many shows were holdovers from [[The Seventies]], the networks had a very hard time keeping new shows on. What shows did survive were massive hits: Cosby, Cheers, Miami Vice, etc.
** However, this decade also showed the rise of challenging American drama series like ''[[Hill Street Blues]]'', ''[[St. Elsewhere]]'', and ''[[LAL.A. Law]]'' which took the [[Soap Opera]] elements like the [[Ensemble Cast]] and [[Plot Arc]] and put them into serious drama.
* TV shows also started experimenting with settings, no longer were the standard dramas and comedies confined to the three biggest cities. [[Eight Is Enough]] was set in Sacramento, for example, while [[Dueling Show]] [[Family]] was set in Pasadena. Later on, [[Washington DC]] and [[San Francisco]] became very popular in this respect.
* This is the decade where ''[[Soap Opera|Telenovelas]]'' began to be known beyond their secluded local markets, with several countries actually knowing for the first time what soaps where being done in other countries of the region (Mexico, the biggest producer of the region, being the exception). Also, productions from Mexico and Venezuela were imported heavily to Spain and other European countries. Spain got such a fever with ''Crystal'', a Venezuelan soap, that their protagonist actors eventually moved and had a quite long career across the pond. Brazilians soaps algo got an small boom, and began to experiment with newer themes and more socially relevant plots, albeit most of these productions began to be more known on other countries on the next decade.
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[[Category{{DEFAULTSORT:The Eighties]], The/Analysis}}
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