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Seinfeld Is Unfunny/Music: Difference between revisions

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*** Before Big & Rich, there was Conway Twitty. Now seen as a lynchpin of classic country, he was never part of the Grand Ole Opry in part due to his "rock and roll sound".
** [[Hannah Montana|Billy Ray Cyrus]] became popular in 1992, at a time when there was a trend toward "traditional country", and his very rock- and pop-influenced "crossover country" style (complete with the ubiquitous novelty hit "Achy Breaky Heart") and mulleted, musclebound, hip-wiggling pretty-boy stage presence was both very uncommon in the genre, and polarized many country purists who saw him as a [[Scrappy]]. His success, however, brought a younger, hipper, more rock-influenced audience to country music, and helped to give the genre more mainstream attention and airplay. You can see more exaggerated influences in stars like Blake Shelton or Kenny Chesney topping the charts, but Billy is still not acknowledged, and [[Miley Cyrus|his daughter]] is now more well-known than he is.
** Chely Wright. All the buzz about her coming-out as a lesbian and its impact on country music and its listeners has caused people to forget that she is not, actually, the first out lesbian in country music - K[[k.Dd. Langlang]] preceded her by a good 20 years or so.
*** k.d. lang was a bit of an outsider in country music, who was never quite accepted by the Nashville establishment as one of "their own" even before she came out as lesbian; it's not just a coincidence that her first album after coming out was a ''pop'' album rather than a country one.
** [[Faith Hill]]. When she hit it big in late 1999-early 2000 with the massive crossover hit "Breathe", every single female act in the genre was cutting [[Power Ballad|Power Ballads]] with a similar sound and similar incentive to cross over. These attempts usually were met with failure (except for Martina McBride getting a few huge crossover hits -- albeit in 2004, after the craze died down), and what's more, Faith ended up hoist by her own petard when country radio shunned her very heavily pop-influenced ''Cry'' album.
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