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Disposable Fiancé: Difference between revisions

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** And, on that note, ''[[You've Got Mail]]'', although in that movie they were merely Disposable Roommates Who Are In Long Term Relationships With The Leads. But that doesn't roll off the tongue nearly as easily, does it?
*** They also filled the roles of being perfectly compatible with the two mains as they perceived themselves and were perceived at the beginning of the film, as they both start to grow and are shaped by the events of the film, they realize they are only compatible with their starting partner on superficial levels but are perfect for each other on deeper levels (even if they are superficially disagreeable with each other). All in all, done better here than most other times, since the audience is perfectly aware that the disposable female is a horrible person and the disposable male leaves amicably as they both realize they aren't really in love with each other at about the same time.
* ''[[Sweet Home Alabama]]'' is of the Bland Perfection type.
* ''[[It Happened One Night]]'' In this one, the fiancé is actually the reason the leads meet as Peter the reporter, hoping to get a good story, follows heiress Ellie along on her trip to meet the guy her father is trying to get her away from. Of course, Ellie never really ''knew'' her original fiancé. He was simply the first man she ever got ''alone'' with and married him to stick it to her overprotective father. Once she spends her time with Peter and finds out what falling in love is actually like, she realizes there's no way she ever loved the first guy.
* ''[[Bringing Up Baby]]''
* ''[[His Girl Friday]]''
* ''[[The Awful Truth]]''
* ''[[The Philadelphia Story]]'' and it's remake ''[[All Musicals Are Adaptations|High Society.]]''. Bland Perfection turns into latent jealousy.
** Bland Perfection turns into latent jealousy.
* ''[[The Graduate]]'': Probably Bland Perfection, to the extent that the audience even gets to know him in the few minutes of screen time he has. Outside pressure was also most likely a factor in Elaine's swift engagement and marriage. Of course, in that movie, she'd already married the guy by the time she ran out in the wedding dress.
* ''[[The Wedding Planner]]'', of the "lets call the whole thing off" variety. Worked horribly, as the only person you feel sorry for is the fiancé. The man gets romantically involved with another woman (who turns out to be the wedding planner his fiancé has hired) and then berates her for "misinterpreting" his philandering. He then ignores the whole thing and lets his fiancé plan their wedding blissfully unaware that he's falling in love with the planner (who only superficially thinks of ending the whole thing and never lets her client in on what her fiancé is really doing). Meanwhile, the planner is constantly leading on a childhood friend who is desperately in love with her to either serve to make the male lead jealous, or to boost herself up emotionally as she pines for the leading man. At the last second, the ''fiancé'' decides ''she'' doesn't want to get married, giving him the opportunity to run after the female lead. With his behavior, it's kind of hard to imagine how ''either'' woman wants him in the first place.
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* ''[[Four Weddings and a Funeral]]''
* ''[[Made Of Honor]]'': Bland Perfection
* Subverted in ''[[My Best Friend's Wedding]]'' where Julia Roberts' character is convinced that her love interest's fiancée is one of this type and does all in her power to break them up but {{spoiler|in the end decides he belongs with the other girl after all.}}
* ''[[Spider-Man (film)|Spider-Man]] 2'': Not a romantic comedy, per se, but still follows the trope to a T. John Jameson is Bland Perfection, which is probably lucky as if he had any personality at all Mary Jane's jilting him at the altar (with a note) would come across amazingly crass and insensitive.
** [[It's All About Me|It still does]].
* ''[[Spaceballs]]'': As the name would suggest, Prince Valium is a case of Minor Flaws (so boring he puts ''himself'' to sleep). Plus it's an arranged marriage she was being forced into, so she doesn't come off as particularly cruel when she ditches him.
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* ''[[Letters to Juliet]]''. From what can be determined from the very detailed trailer, the main character's fiancé neglects her.
* ''[[The Parent Trap (1961 film)|The Parent Trap]]'': Evil All Along, as well as a rare female example.
* ''[[The Princess Diaries]]'' 2'': Bland Perfection leaning towards Let's Call The Whole Thing Off. When Mia calls off the wedding at the very last minute, Andrew is perfectly understanding about it, and he's only worried about what his mother's going to think.
* ''L'arnacoeur,'' aka ''Heartbreaker'': Andrew Lincoln's character is definitely Blandly Perfect
 
* ''[[Coming to America]]'': The prince had a fiancée back home, but he came to America specifically to find a replacement for her. You have to feel sorry for the girl. Her bland perfection stemmed from the fact that from the day she was born, she was ''raised to be his wife'' and do everything he said. She had no opinions or likes of her own, simply stating "whatever you prefer" when he asked her. What is the poor girl going to do with her life now?
** In all likelihood, she {{spoiler|[[Fridge Horror|hasn't stopped]] "barking like a dog. A big dog."}}
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* ''[[Wicker Park]]'' starts with the male lead buying a ring to propose to his Blandly Perfect girlfriend. He then thinks he might be able to find the girl he dated before her, and spends the rest of the movie completely ignoring the woman he was apparently intending to marry, as well as sleeping with someone else. While she has no character, the way he immediately abandons their relationship without even bothering to inform her makes him come off as a [[Jerkass]].
* ''[[Twister]]'' has a rare female example in Melissa. Tends towards Minor Flaws, in that she is somewhat boring and holds back the lead character from doing what he loves.
* ''[[Veer-Zaara]]'': Zaara's fiancé is of the Evil All Along type, who decided to accuse Veer of being an Indian spy and keep him in a Palestinian prison, just to prevent the lovers for ever meeting again. {{Spoiler|In a high amount of irony, it was all for nothing: while the full stunt prevented Veer and Zaara's re-encounter for about 20 years, Zaara still called the wedding off and fleed for India when she received (false) news about Veer's death.}}
* ''[[Jab We Met]]'': Geet has ''two'' of these. The first was the childhood friend that her family arranged a marriage with and who fell somewhere near the Let's Call The Whole Thing Off; the second was the boyfriend she spent the first part of the film trying to reach for and turned out to be the [[Wrong Guy First]].
* In ''[[Band Baaja Baaraat]]'' , Shruti's fiancé is so disposable [[The Ghost|he doesn't even appears in screen]] and is only listened from the cellphone, although for what little we know he seems to be of the Bland Perfection type.
* ''[[Vicky Cristina Barcelona]]'': Doug. Subverted however {{spoiler|in that Vicky does end up marrying him in the end}}.
 
== Films (Animated) ==
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