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George Lucas Throwback: Difference between revisions

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{{trope}}
Remember back in the day, when there was that cheaply made form of entertainment that was [[So Bad ItsIt's Good]]? [[Memetic Mutation|Pepperidge Farm Remembers.]] But enough about that. Nowadays, [[Department of Redundancy Department|it's long ago]], but wouldn't you like to bring it back?
 
Well, if you're in Hollywood and you have a high enough profile, you can. And you can do it ''better'' with a brand-new franchise, better special effects, better actors, a better budget and (it is hoped) better writing. If the old form of entertainment has been [[Deconstruction|Deconstructed]], then this work will probably feature a lot of [[Reconstruction]].
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Named for [[George Lucas]], who has done this twice and very successfully both times. You may know the results as ''[[Star Wars]]'' and ''[[Indiana Jones (Franchise)|Indiana Jones]]'', both throwbacks to [[The Thirties|1930s]] Republic serials. His other big feature hit was ''[[American Graffiti]]'', which, while not a throwback to any particular genre, is loaded with [[Nostalgia Filter|nostalgia]] for [[The Fifties|Fifties]] youth culture.
 
If especially successful, this can result in a game of [[Follow the Leader]] as everyone else begins mining the past (or, more frequently, ripping off the successful modern version) in the hope that lightning will strike twice. If these follow-ups are of poor quality, or if there's just too many of them (or both as is [[SturgeonsSturgeon's Law|often the case]]), then it can [[Genre Killer|result in the genre being thrown right back in the trash]] until someone else decides it's worth reviving.
 
If done especially well, it can hide the fact that it ''is'' a throwback. It is only upon reviewing its similarity to past incarnations that the connection is made. Compare [[Older Than They Think]].
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Note this should ''not'' cover instances of a specific ''franchise'' [[Continuity Reboot|being brought back]], e.g., the later incarnations of ''[[Star Trek (Franchise)|Star Trek]]'' or ''[[Doctor Who (TV)|Doctor Who]]'', or the ''[[Flash Gordon (Film)|Flash Gordon]]'' movie. This trope is much closer to a [[Spiritual Successor]] than an actual reboot.
 
Related: [[Affectionate Parody]]. [[Two -Fisted Tales]] is a subtrope. And nothing to do with [[Evolutionary Levels]], we promise (even if his movies have gone a little downhill, that'd be too mean)
 
Compare [[Retraux]]
{{examples|Examples:}}
 
== [[Anime]] & [[Manga]] ==
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** His ''[[Yawara]]'' is largely a throwback to classic sports manga like ''[[Captain Tsubasa]]'' or ''[[Kyojin No Hoshi]]''.
* ''[[Cannon God Exaxxion]]'' (Early 70s [[Super Robot]] anime, only with much more realistic politics between the humans & alien invaders.)
* ''[[Osamu Tezukas Metropolis|Metropolis]]'' (The works of [[Osamu Tezuka]] and early anime in general. [[In Name Only|Not]] [[NamesName's the Same|related]] to Fritz Lang's [[Metropolis|movie]].)
 
== [[Comic Books]] ==
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** The original three ''[[Indiana Jones (Franchise)|Indiana Jones]]'' adventures (''[[Raiders of the Lost Ark (Film)|Raiders of the Lost Ark]]'', ''[[Indiana Jones and The Temple of Doom (Film)|Temple of Doom]]'' and ''[[Indiana Jones and The Last Crusade (Film)|The Last Crusade]]'') were based on 1930s pulp adventures, with [[Those Wacky Nazis]] or an [[Religion of Evil|evil cult]] as the villains, and supernatural, often [[The Bible (Literature)|Biblical]] forces. ''[[Indiana Jones and The Kingdom of The Crystal Skull (Film)|Indiana Jones and The Kingdom of The Crystal Skull]]'', meanwhile, was rooted in '50s pulp sci-fi, with the atomic bomb and the [[Cold War]] featuring prominently, [[Dirty Communists|the Soviets]] replacing the Nazis, and a plot based around aliens from outer space.
** ''[[Star Wars]]'': '30s sci-fi serials, especially ''[[Flash Gordon Serial (Film)|Flash Gordon]]''.
** ''[[THX 1138]]'' is one to the 40s dystopian novels such as ''[[Nineteen Eighty -Four]]''.
* ''[[Inglourious Basterds (Film)|Inglourious Basterds]]'' is an Exploitation [[Spaghetti Western]] set during [[World War II]] [[In the Style Of]] films like ''[[Where Eagles Dare]]''.
* ''[[Grindhouse (Film)|Grindhouse]]'', a double-feature tribute to '70s exploitation flicks, and the general experience of seeing them in a sleazy theater on the [[Wrong Side of the Tracks|wrong side of town]], complete with trashy previews between flicks.
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* ''[[Super 8]]'': late '70s and early '80s Amblin films
* ''[[House of 1000 Corpses (Film)|House of 1000 Corpses]]'' and its sequel, ''[[The Devils Rejects (Film)|The Devils Rejects]]'': '70s [[Hillbilly Horrors|redneck-sploitation]] horror movies, like ''[[The Texas Chainsaw Massacre (Film)|The Texas Chainsaw Massacre]]'' and ''[[The Hills Have Eyes (Film)|The Hills Have Eyes]]''.
* ''[[Captain America: theThe First Avenger (Film)|Captain America the First Avenger]]'': '40's adventure films
* ''[[Inception (Film)|Inception]]'': '90's [[Cyberspace]] or [[Cyberpunk]] movies, or the [[Platonic Cave]] idea in general.
* ''[[Drive (Film)|Drive]]'': '80's crime films
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* ''[[Louis CK|LuckyLouie]]'' ('80s domestic sitcoms.)
* ''[[The Good Guys (TV)|The Good Guys]]'' ([[Buddy Cop Show|Buddy cop shows]] from the '70s and '80s.)
* ''[[Tales of the Gold Monkey]]'' (Like ''[[Indiana Jones (Franchise)|Indiana Jones]],'' '30s and '40s [[Two -Fisted Tales]])
 
== [[Music]] ==
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* Wolfmother for '70s stoner rock and [[Heavy Metal (Music)|Heavy Metal]].
* Brian Setzer did one for rockabilly with [[The Stray Cats]], and later one for swing music with the Brian Setzer Orchestra.
* [[Cee Lo Green]]'s famous hit song [[Cluster F -Bomb|"Fuck You!"]] is one towards 60's era Motown Soul music. (A throwback, not a [[Take That|fuck-you]].)
* Sweden’s Änglagård play a pastiche of early 70s prog rock that is surprisingly convincing, thanks in part to an almost slavish use of vintage 1970s musical instruments.
 
== [[Video Games]] ==
* ''[[Serious Sam]]'' and ''[[Painkiller]]'' -- Early-to-mid 1990s [[First -Person Shooter|first-person shooters]].
* ''[[Lost Odyssey]]'' -- Turn-based RPGs of the late 80s/early 90s. (helps that the main driving forces behind the game worked on the original ''[[Final Fantasy]]'' games)
* ''[[God Hand]]'' -- Arcade beat-em-ups.
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* [[The Legend of Zelda Twilight Princess]] is a George Lucas Throwback to [[The Legend of Zelda Ocarina of Time]].
* The ''[[Emo Game (Video Game)|Emo Game]]'' series is a throwback to old-school, 16-bit side-scrollers, while their final levels (especially in the second one) are throwbacks to [[Metroidvania]]-style games. The average [[Super NES]] game probably wasn't chock full of [[Dead Baby Comedy]] and [[Refuge in Audacity|audacious]], [[Crosses the Line Twice|twice-line-crossing]] humor, and certainly didn't allow you to kill the final boss by {{spoiler|[[Squick|skull-fucking him]]}}.
* Fittingly for a game based on [[Scott Pilgrim (Film)|a movie]] (and [[Scott Pilgrim|comic]]) that is itself based on old-school arcade and Nintendo games, the licensed game of ''[[Scott Pilgrim vs. the World]]'' is a throwback to old-school [[Beat 'Em Up|Beat Em Ups]].
* ''[[Rally Trophy]]'' is a heavily retro (60s and 70s) take on the [[Driving Game|rally racing sims genre]], with lots of [[Played for Laughs]] [[Lampshade Hanging|lampshading]] and [[Stylistic Suck]].
* ''[[Obs Cure]]'': [[Post Modernism|Post-modern]], [[Genre Savvy]] [[Teen Drama]] [[Horror]] movies from the [[The Nineties|mid-late '90s]], of the type made by [[Scream (Film)|Kevin]] [[The Faculty|Williamson]].
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