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The Dark Age of Animation: Difference between revisions

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The unfortunate successor to [[The Golden Age of Animation]], slowly setting in at the late 1950s and slowly fading out at some point during the '80s <ref> the Dark Age ended for animated movies some time before the change would spread to television as well, not fully disappearing until Disney and Warner improved television animation standards in the late '80s and early '90s</ref>. [[Limited Animation]] was the rule, not the exception during this time. Its start coincided with the [[Fall of the Studio System]] in Hollywood. The theatrical short slowly died off, and cartoons moved to television. Naturally, this era would leave a lasting impression on the American culture, for better or for worse, as the [[Animation Age Ghetto|primary target audience for cartoons]] became children.
 
To start with, [[Limited Animation]] was primarily an [[Doing It for the Art|artistic choice]] for animators like Chuck Jones and John Hubley who were tired of [[Disneyfication]]. With the death of UPA and MGM animation studios, it became primarily about saving [[Exploited Trope|time and money]].[[hottip:*:<ref>Much like the debate over [[Adobe Flash|Flash Animation quality today.]]</ref> [[Hanna-Barbera]] was very prominent during this time, thanks to how cheaply produced and rushed their television cartoons were. [[Filmation]] also got its start during this time, although it wouldn't hit its stride until much later during the [[The Renaissance Age of Animation|'80s.]] In the meantime, it ''did'' give us shows like ''[[Star Trek: The Animated Series|Star Trek the Animated Series]]'' (which was a continuation of the [[Star Trek: The Original Series|original show]] after it was canceled). However, like Hanna-Barbera, they also relied on notoriously low budget animation (possibly even more so than the other company) and corner cutting to get their cartoons out as quickly and cheaply as possible. Hanna-Barbera writers Joe Ruby and Ken Spears also formed [[Ruby-Spears]] around this time and churned out a number of properties based on [[Mister T (animation)|celebrities]], [[Rubik And His Amazing Cube|toys]], and other [[Animated Adaptation|Animated Adaptations]] of sitcoms, mimicking their former employer's animated style to a T.
 
However, this does not mean ''everything'' from this era was ''bad''. Disney's output remained generally respectable and generally well animated early on, although Walt Disney's continual lack of involvement with his films due to his focus on television and theme park projects at the time had a noticeable effect in quality on the '60s Disney films, and the inevitable death of the man hit the company ''extremely'' hard, sending their studio into a hard slump post-''[[The Jungle Book (Disney film)|The Jungle Book]]''. Although they would eventually begin to recover with their short adaptations of the ''[[Winnie the Pooh]]'' stories (which were later made into a feature) as well as ''[[The Rescuers (Disney film)|The Rescuers]]'', which was something of a throwback to the style of the older Disney films, thanks in part to a Mr. [[Don Bluth]]... mind you, he ''was'' an employee of Disney at one point in the past. However, Disney would still continue to struggle until the '80s.
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[[Category:Western Animation]]
[[Category:The Dark Age of Animation]]
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