| Display title | Archie Comics |
| Default sort key | Archie Comics |
| Page length (in bytes) | 56,232 |
| Namespace ID | 0 |
| Page ID | 85973 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 7 (0 redirects; 7 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Looney Toons (talk | contribs) |
| Date of latest edit | 19:54, 5 December 2023 |
| Total number of edits | 27 |
| Recent number of edits (within past 180 days) | 1 |
| Recent number of distinct authors | 1 |
| Transcluded templates (7) | Templates used on this page:
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Originally known as MLJ Comics (after its three founders), Archie Comics soon took the name of its most popular character, a teen named Archie Andrews, who debuted in Pep Comics #22, 1941 in a story drawn by Bob Montana. A cast slowly grew around him and his buddies, and by the mid-1950s, the world had mostly normalized into the cast we'd now recognize. Preaching that Status Quo Is God, a large array of stock plots and occurrences (the Love Triangle of Archie, Betty, and Veronica; Jughead conspiring against Reggie or women; Ethel chasing Jughead; Reggie chasing Midge and confounding Moose; Dilton being smart; Chuck obsessing over comic books; Archie and Jughead running afoul of the teachers, etc.) have become among the longest-running themes in fiction. With the start of Dan DeCarlo as primary artist in the '60s, Archie Comics created its "house style". |
