| Display title | Audition |
| Default sort key | Audition |
| Page length (in bytes) | 12,044 |
| Namespace ID | 0 |
| Page ID | 13500 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 6 (0 redirects; 6 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Looney Toons (talk | contribs) |
| Date of latest edit | 19:11, 8 June 2023 |
| Total number of edits | 13 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
| Transcluded templates (5) | Templates used on this page:
|
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Every so often, a movie comes along that makes you wonder about the mental health of the director. Takashi Miike has built his career on movies like this. Audition (1999) is a perfect example of the sort of movie that you have to watch through your fingers, with an air discomfort bag nearby. Don't believe us? Read on... |
