Display title | Germans Love David Hasselhoff |
Default sort key | Germans Love David Hasselhoff |
Page length (in bytes) | 4,081 |
Namespace ID | 0 |
Page ID | 58076 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 1 |
Counted as a content page | Yes |
Number of subpages of this page | 30 (0 redirects; 30 non-redirects) |
Page image | |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | prefix>Import Bot |
Date of page creation | 21:27, 1 November 2013 |
Latest editor | Labster (talk | contribs) |
Date of latest edit | 02:48, 26 July 2020 |
Total number of edits | 11 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Transcluded templates (5) | Templates used on this page:
|
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | A version of the Ensemble Darkhorse where character interest is sparked by an audience well-divorced from the production source, particularly if the show is released in other countries. Places with different cultural baggage often hook onto different characters, whether or not these are the ones being pushed by the story. This is even more of a gamble when one character's personality and motivations have a direct tie to the culture of origin. |