Display title | Informed Attractiveness |
Default sort key | Informed Attractiveness |
Page length (in bytes) | 46,539 |
Namespace ID | 0 |
Page ID | 110056 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 2 (0 redirects; 2 non-redirects) |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | m>Import Bot |
Date of page creation | 21:27, 1 November 2013 |
Latest editor | InternetArchiveBot (talk | contribs) |
Date of latest edit | 11:57, 17 September 2018 |
Total number of edits | 15 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Transcluded templates (6) | Templates used on this page:
|
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | In most visual media, just about everyone is beautiful. But what are writers to do when someone's attractiveness is a plot point? Anime artists have Bishie Sparkle, Western animators have (or used to have) the Twinkle Smile—simple visual shorthands that viewers intuitively understand. But in live action, often the only choice is to have the other characters tell us how attractive they are. Whether or not the viewer finds the character to be attractive, we must accept that within this fictional world, they are. |