John Waters/YMMV: Difference between revisions
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* [[Affectionate Parody]]: of [[So Bad |
* [[Affectionate Parody]]: of [[So Bad It's Good]] [[B-Movie|B-Movies]]. |
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* [[Crazy Awesome]] |
* [[Crazy Awesome]] |
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* [[Crosses the Line Twice]] |
* [[Crosses the Line Twice]] |
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* [[So Bad |
* [[So Bad It's Good]]: Much of his earlier work is funny / relevant because it's made to be utterly un-watchable. |
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* [[Some Anvils Need to Be Dropped]]: ''A Dirty Shame'' can be interpreted as one giant sex-positive [[Author Tract]] in response to [[Turn of the Millennium|the reactionary time]] it was made in. |
* [[Some Anvils Need to Be Dropped]]: ''A Dirty Shame'' can be interpreted as one giant sex-positive [[Author Tract]] in response to [[Turn of the Millennium|the reactionary time]] it was made in. |
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** [[Villain Protagonist|Dawn Davenport]]'s "acceptance speech" at the end of ''Female Trouble'', noting how society is so fascinated by monsters, getting the death penalty is comparable to winning an Oscar. |
** [[Villain Protagonist|Dawn Davenport]]'s "acceptance speech" at the end of ''Female Trouble'', noting how society is so fascinated by monsters, getting the death penalty is comparable to winning an Oscar. |
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Revision as of 13:24, 9 January 2014
- Affectionate Parody: of So Bad It's Good B-Movies.
- Crazy Awesome
- Crosses the Line Twice
- So Bad It's Good: Much of his earlier work is funny / relevant because it's made to be utterly un-watchable.
- Some Anvils Need to Be Dropped: A Dirty Shame can be interpreted as one giant sex-positive Author Tract in response to the reactionary time it was made in.
- Dawn Davenport's "acceptance speech" at the end of Female Trouble, noting how society is so fascinated by monsters, getting the death penalty is comparable to winning an Oscar.