Looney Tunes: Difference between revisions

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''When he plays his fiddle I just go on a spree''
''It's a cinch that every time I go on the air''
''I just look around and find ol' Rubinoff there''|"Merrily We Roll Along," the ''Merrie Melodies'' theme (first used in the cartoon ''Billboard Frolics'', 1935)}}
|"Merrily We Roll Along," the ''Merrie Melodies'' theme (first used in the cartoon ''Billboard Frolics'', 1935)}}
 
''Looney Tunes'' and ''Merrie Melodies'' were two series of theatrical cartoon shorts running from [[The Golden Age of Animation|1930]] to [[The Dark Age of Animation|1969]]. Initially produced by Leon Schlesinger for distribution by [[Warner Bros]], in 1944 the studio took the unit over entirely when Schlesinger retired.
 
Originally, [[Artifact Title|as the names indicate]], these cartoons were meant to rip off the sweet, sentimental musical shorts then in vogue: for instance, Disney's ''[[Silly Symphonies]]''. That basing cartoons around popular public-domain songs—or, even better, ones the studio already owned—was a fast and relatively cheap way of producing them didn't hurt any, either.
 
The first set, ''Looney Tunes'', was introduced with 1930's ''"[[Sinkin' Inin Thethe Bathtub]]"'' featuring [[Uncle Tomfoolery|minstrel-like]] mascot [[Bosko the Talk Ink Kid]], and for its first decade relied more heavily on recurring characters and thus lower budgets. ''Merrie Melodies'', introduced in 1931's ''"[[Lady, Play Your Mandolin]]"'' featuring the ([[Captain Ersatz|suspiciously Mickey Mouse-esque]]) character "Foxy", were initially intended as the [[Animated Music Video|music videos of their day]], basically animated commercials for the Warners-owned sheet-music library.
 
When ''Looney Tunes'' switched to color in 1942, and the ''Merrie Melodies'' line ditched the music around the same time in favor of its own rising star—one [[Bugs Bunny/Characters|Bugs Bunny]]—differences between the two were limited to their distinctive theme songs, until 1964 (when both series wound up using the same theme music as a result of using a modernized, and slightly bizarre, opening/closing sequence).
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** One particular example is in "The Whizzard of Ow", wherein during the climax, Wile E. Coyote's mode of transportation turns into a crocodile, which proceeds to bite the Coyote's nose off.
* [[Born in the Theatre]]: Most Looney Tunes, classic or modern, aired in theaters before they aired on television, and they often have gags messing with the [[Fourth Wall]] of [[Film]].
* [[Bowdlerization]]: When aired on television (and sometimes, home video—usually gray-market, public domain videos; the official release videos and DVDs try to make it as uncut as possible. If there are any missing scenes, it's because some of those scenes were lost long ago), a lot of the violent and politically-incorrect scenes and gags will be altered or cut. There's a website dedicated to tracking down what cartoons were edited and what channel edited them: [https://web.archive.org/web/20170314074040/http://looney.goldenagecartoons.com/ltcuts/\]
* [[Breaking the Fourth Wall]]: The damage done to it ranges from large cracks to pulverizing it to a fine powder. On more than one occasion, near the end of a cartoon, the film suddenly breaks, leaving the screen white. A character from the cartoon then steps out onto the white screen and says, "Ladies and gentlemen, due to circumstances beyond our control, we are unable to continue with this picture."
* [[Breakout Character]]: THE WHOLE SERIES has lived and breathed this trope. It all started with Friz's [[Batman Gambit]] in 1935 to jump start Leon's ailing cartoon studio with several new cartoon characters in the short "I Haven't Got A Hat"-two pups named Ham and Ex, Kitty, Oliver Owl, Beans the Cat and Porky Pig. Porky was an instant hit with audiences, even though the studio thought for some reason that [[Flat Character|Beans]] would be the studio's next bankable star-but he too quickly faded into obscurity while Porky became the studio's star--'''THEN''', two more stars broke out from Porky's cartoons-a little [[Daffy Duck]] from "Porky's Duck Hunt" and the [[Bugs Bunny]] prototype "Happy Hare/Bugs' Bunny" from "Porky's Hare Hunt", "Hare-Um Scare-Um" and "Presto-Change-O." Oh, and Bugs Bunny himself obviously.
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** 1939's "[[Old Glory]]" is educational as well, though unlike the aforementioned Sloan shorts, it doesn't contain comedy at all. Rather, it's a history lesson on the Revolutionary War and the formation of the U.S., with Porky learning about it from Uncle Sam in the wraparounds.
* [[Eek! A Mouse!]]
* [[Enlistment-Ending Minor Malaise]]:
** In at least one [[WWII]]-vintage cartoon, [[Bugs Bunny]] was apparently rejected for military service (the sole of one foot is stamped "4F") for something so minor that it didn't prevent him from performing his usual antics.
** In another, this gets [[Played With]]. Bugs gets a draft letter mistakenly sent his way instead of to B. Bonny; he passes the health exam due to perfect eyesight and the doctor thinking he's seeing a rabbit skeleton on the X-ray due to hallucinations. When the general finds out they hired a rabbit, after Bugs blew up the military camp using a shell to hammer a photo, they say that Bugs can't work on the frontlines because he's not human. They have him testing shells in the factory instead.
* [[Epic Fail]]: Wile E. Coyote's specialty.
* [[Era Specific Personality]]
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* [[Flanderization]]: Different directors often focussed on different aspects of a character, most notably with Daffy, Bugs, Elmer Fudd, and Porky.
** This even got a [[Lampshade]] during an [[Affectionate Parody]] of ''[[Invasion of the Body Snatchers]]''.
* [[Flipping the Bird]]: If the Hays Office would only let Catstello, he'd give Babbitt [[PunA Worldwide Punomenon|the boid]] all right.
* [[Fluffy Cloud Heaven]]: "Sunday Go To Meetin' Time," "Clean Pastures," "Daffy Duck And The Dinosaur," "Back Alley Oproar."
* [[Foot Juggling]]: "Hippety Hopper", "Bear Feat" and "Outback Down Under" - a very overlooked trope involving a character spinning another character in circles with their legs, the term 'Look Ma! No Hands!' is very relevant here.
* [[Force Feeding]]: "Pigs Is Pigs", "A Tale of Two Mice" and "Chow Hound"
* [[Forgot I Could Fly]]: This became a running gag for Daffy in the Duck Dodgers spin-off and recent webtoons on the Looney Tunes website.
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* [[Glove Slap]]: Seen in numerous cartoons when a character challenges another to a duel, but perhaps the most widely remembered one comes from "Hare Trimmed".
* [[The Golden Age of Animation]]: The original shorts were a product of this. Since then the characters have been successively (if not always successfully) deployed in the medium's [[The Dark Age of Animation|Dark]], [[The Renaissance Age of Animation|Renaissance]], and [[The Millennium Age of Animation|Millennium]] ages.
* [[Gorgeous George]]: "Ravishing Ronald, the De-Natured Boy", from 1951's "Bunny Hugged".
* [[Gravity Is a Harsh Mistress]]: And it's ''always'' a looooong way down, especially in Wile E. Coyote's case. [[Gravity Is a Harsh Seamstress]], too.
* [[Hair-Trigger Avalanche]]: Demonstrated in "The Iceman Ducketh" when Daffy accidentally sets off an avalanche by shouting.
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* [[Lazy Artist]]: It's extremely rare, but it's quite noticeable when it happens. Two occur in 1943's "Porky Pig's Feat": As Daffy issues a challenge to the hotel manager, a cel of Daffy is photographed painted side up in a frame (The redrawn version even renders that errant cel drawing!). At the end when Porky and Daffy discover Bugs Bunny in the adjacent room, Daffy's left arm is shown unpainted.
** Lampshaded in "Invasion Of The Bunny Snatchers" (1992). Pod carrots from space replace Daffy, Yosemite Sam and Elmer with poorly drawn and animated duplicates.
* [[Leitmotif]]: ' 'Like you wouldn't believe.' '
* [[Leitmotif]]:* The opening jingle of "Stage Door Cartoon" was recycled in numerous late 40s/early 50s shorts as the theme for Bugs Bunny (and was later used as the tune for "What's Up Doc?").
** Carl Stalling had a tendency to associate tunes with specific characters. Foghorn Leghorn sings or hums "The Camptown Races" in numerous shorts.
** "I Cover the Waterfront" was often used during establishing shots of docks and harbors.
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* [[Musical Episode]]: "Swooner Crooner".
** "Katnip Kollege".
* [[My Card]]: Wile E. Coyote's "Super Genius" card. "Have brain, will travel"
** Owl Jolson's, too, in "I Love to Singa".
* [[My God, What Have I Done?]]: This is pretty much Elmer Fudd's reaction whenever he ''thinks'' he's finally killed Bugs. No matter how hard he's been trying throughout the episode to shoot Bugs he always breaks down in tears when he thinks he's finally done it, calling himself a murderer. Which calls into question why he's a hunter in the first place.
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** In ''Hare-Um Scare-Um'' (1939), hunter John Sourpuss tells proto-Bugs Bunny that "I can whip you and your whole family!" A bunch of bunnies arrive to take him up on the challenge—then the film cuts off. In the original ending, the looney rabbits beat Sourpuss up on-camera, eventually driving him looney himself. Though no hard evidence has been found, it's often speculated that the scene was deleted for being too similar to the ending of ''Daffy Duck And Egghead'' one year prior.
** "Ride Him, Bosko!" is probably the standout example; [[Breaking the Fourth Wall|the animators]] just [[Screw This, I'm Outta Here|up and leave]] without showing if Bosko rescues Honey or not.
** Used as a gag in "Rabbit Punch". A train shows up to run over Bugs (in a boxing ring, might we add). The film suddenly cuts off, and Bugs stands up and announces the cartoon can't continue....followed by him revealing a pair of scissors.
* [[No Fourth Wall]]: [[Duck Amuck]] is one of the most famous and insane examples ever made.
* [[No Guy Wants to Be Chased]]: Is used quite often whenever a female [[Abhorrent Admirer]] goes after one of the male characters. Was also used in three Pepé Le Pew cartoons (1949's "For Scent-imental Reasons," 1952's "Little Beau Pepé ," and 1959's "Really Scent"), proving to modern audiences that, yeah, Pepé may be seen as a "rapist," but he's not a [[Karma Houdini]] (in those instances at least).
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* [[Real Joke Name]]: Doctor Quack in ''The Daffy Doc''
* [[Rearrange the Song]]: There are different arrangements of each of the Merrie Melodies and Looney Tunes opening themes. In particular, "Merrily We Roll Along" and "The Merry-Go-Round Broke Down" got a ton of adjustments over the years.
** During the late 1930s the theme songs oftentimes varied from cartoon to cartoon (particularly in the case of "Merrily We Roll Along"), while all-new arrangements came for the next season. This came to a halt in 1939, when both subseries adopted fully finalized theme tunes, and solidified in 1941 when arguably the most well known, brass-heavy themes (with "The Merry-Go-Round Broke Down" also becoming noticeably faster paced) were adopted right at the start of the series' "Golden Age", which spans from 1941 to 1955. From there on, the biggest rearrangement was the theme tunes being shortened to fit longer credits that listed a significantly larger portion of the production crew in 1945, and from thereon after they were rearranged about once per decade (in 1955 and in 1964).
* [[Rebus Bubble]] combined with [[Talking with Signs]] gets you Bugs' mockery of his foes by holding up a sign with "(picture of a screw) + (picture of a baseball)" or a picture of bats circling a belfry.
* [[Recitation Handclasp]]: Giovanni Jones (the fat opera singer) assumes this posture in "Long Haired Hare."
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* [[Stalker with a Crush]]: Though a lot of major and minor Looney Tunes characters have been this on occasion, Pepé Le Pew is possibly (nay, undisputedly) the only character whose schtick is this (along with [[Handsome Lech]], [[Mad Love]], [[Chivalrous Pervert]], [[Abhorrent Admirer]] [for both sexes], [[The Masochism Tango]] [1953's "Wild Over You"], [[Black Comedy Rape]] [if you believe Dave Chappelle and those uptight [[Moral Guardians]]], a pinch of [[No Guy Wants to Be Chased]], some [[The Hunter Becomes the Hunted]] for taste, and a nice helping of [[Double Entendre]])
* [[Stock Audio Clip]]: The Roadrunner's "Meep Meep".
* [[Stock Footage]]: Abuses this enough to [https://web.archive.org/web/20070923212001/http://looney.goldenagecartoons.com/miscelooneyous/reused/ get a whole page] tracking virtually every usage of this trope in the original shorts!
** The first opening to The Bugs Bunny and Tweety Show (i.e. the one without the new Darrell Van Citters animation) reuses the Bugs and Daffy song and dance animation from The Bugs Bunny Show's opening.
* [[Stuff Blowing Up]]: To the point where they [[Stock Footage|recycle the same explosion footage]] at almost every opportunity.
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* [[Turtle Island]]: In "The Ducktators," an Emperor Hirohito duck places a sign on a turtle, who gets mad and beats him up with said sign (despite that the duck briefly stops him to show a button that reads, "I am Chinese"—a reference to Chinese-American immigrants who were mistaken for Japanese and were put in internment camps because of it).
* [[Uncancelled]]: A few times. The first was in 1953 when WB temporarily closed the cartoon unit for a few months, due to a variety of factors like the 3-D fad; the unit opened a few months later. The next was in 1963 when WB, facing increasingly stiff competition from TV and less theaters running theatrical shorts before movies, shut the cartoon unit down again. From 1964 to 1967, cartoons were produced at DePatie-Freleng instead. In 1967, production resumed at Warner Bros. but only two years later, the cartoon division was shut down for good.
* [[Uncle Tomfoolery]]: The reason why there's a collection of cartoons called [https://web.archive.org/web/20101202202204/http://looney.goldenagecartoons.com/ltcuts/censored11/ The Censored Eleven], though there are some WB cartoons with extensive black stereotypes in them that ''aren't'' part of this collection, but have been banned from syndication all the same.
* [[Unexplained Recovery]]:
** A [[Running Gag]] involves characters like Wile E. Coyote getting seriously injured and then being perfectly fine in the next scene with no explanation as to how they recovered from their injuries.
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