Periphery Demographic: Difference between revisions

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* ''[[Spotted Flower]]'', a [[Josei]] manga chronicling the life of a hard working Husband taking care of his pregnant Wife; this work also happens to be a [[Spiritual Successor]] (if not a [[Sequel]] itself, see the page) to ''[[Genshiken]]'', a [[Seinen]] seires; cue to males following a manga aimed to adult women.
* One of the biggest foundations of ''[[Axis Powers Hetalia]]'' is the [[Ho Yay]] among the [[Moe Anthropomorphism]]s of several ''countries'', which the more history-based fans often find... weird.
** ''Hetalia'' is officially a Seinen manga. Yet 99% of the fans are [[Yaoi Fangirl|yaoi fangirls]]. So with Hetalia, the periphery demographic is the main demographic.
* The anime for ''[[K-On!]]'', a moe series aimed at otaku, became so popular with young girls that it also airs on the Japanese Disney Channel, right alongside Hamtaro and Alice Academy.
* ''[[Trigun]]'' (shonen) and ''Trigun Maximum'' (Seinen) is very popular with [[Yaoi Fangirl|fujoshi]] over in Japan. Most doujinshi, and fan art on Pixiv and artists' personal sites, are either yaoi or a "cute guys doing cute and funny things" type deal.
* ''[[Rurouni Kenshin]]'' owes much of its success to female fans, despite being an often-violent action series published in an anthology aimed squarely at boys. The show's title character, a soft-spoken, gentle [[Bishonen]] with a hidden, more violent dark side, most likely helped. The well-written romance between him and the female lead most likely helped too, especially since it was one of the few [[Shonen]] manga relationships that had real development and a definite resolution, while most shonen couples get bogged down in an eternal game of [[Will They or Won't They?|"will they or won't they?"]].
** When the ''Kenshin'' movie premiered in Japan, something like 2/3rds of ticket-buyers were female—which was roughly the exact opposite of the gender split for a Shonen Jump film at the time.
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*** It's a good bet that most of the current ''YGO'' fanbase consists of fans of the [[Abridged Series]].
* ''[[Magical Girl Lyrical Nanoha]]'' is an interesting case, taking the usual Periphery Demographic for [[Magical Girl]] series (16-35 year old men) and creating the series to appeal to them specifically. Even so, there are quite a few younger girls who enjoy it. So the "normal" demographic for [[Magical Girl]] shows is the Periphery Demographic for this one? [[Your Head Asplode|*head explodes*]]
* ''[[Ranma ½]]'' is a shonen series meaning it is supposed to be popular for teenage boys. In Japan, according to and surprising creator [[Rumiko Takahashi]], it was more popular amongstamong girls than guys and Animerica in the year 2000 said that it increased the number of female readers in the American manga market.
* ''[[Katekyo Hitman Reborn]]'' is also a shonen series, but a fairly large minority of its readers are [[Yaoi Fangirl]]s. The ''way'' too many bishounen characters in that series help, and yet it's adding ''more''.
** Well, you can't make a show about a teenage boy who spends most of the first season running around in his underwear without atracting at least ''some'' female fans.
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** This even crosses into [[Multiple Demographic Appeal]], as evident with the OVA release. The ending was performed by KOTOKO, who is known for performing opening and ending of [[Eroge]] aimed at men.
* ''[[Hamtaro]]'' is a [[Kodomomuke]] series but it still has a significant teenage and adult female fanbase.
* ''[[Panty & Stocking with Garterbelt|Panty and Stocking With Garterbelt]]'' has a rather significant female fanbase, despite it very obviously pandering to guys. [[Even the Girls Want Her|Even The Girls Want Panty And Stocking]] (and [[Evil Is Sexy|Scanty and Kneesocks]])?
** [[Adorkable|Brief]] may have something to with this, too; and maybe [[Badass Preacher|Garterbelt]].
** Or maybe it's seeing someone do [[Wish Fulfillment|what they wish they could do]]. And Panty's [[World of Cardboard Speech|"I'm just a bitch" speech]] ''was'' inspiring.
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* Still on Pixiv, ''[[Nintama Rantarou]]'', of all anime, also has its own separate tag for exactly the same reason. You'd never guess that from the content of the anime, which is day to day adventure of [[Nakama|a band of]] goofy [[Ninja]] kids. Maybe it's the women who watched it in their childhood.
* [[Pani Poni Dash!]] was quite popular for children, despite aiming for the more cultural audience to get the pop culture reference. It ''does'' help how crazy and all over the place the anime is, though, which would guarantee tons of laughs.
* ''[[Kanamemo]]'' has it'sits share of female fans appreciating the yuri context for the sake of cuteness.
* ''[[Ouran High School Host Club]]'', despite being a [[Cast Full of Pretty Boys|bishonen-ridden]] reverse-harem series, is well-written and hilarious enough to attract a sizeable male audience as well. Another appealing aspect is that the female protagonist is a cute but sensible girl who's refreshingly more realistic than most shoujo heroines and how much focus and development is given on the host club members.
* ''[[Puella Magi Madoka Magica]]'' is a weird example. Like the ''Nanoha'' example above, it took the cutesy character designs (by ''[[Hidamari Sketch]]''{{'}}s own [[Ume Aoki]]) and marketed it to the usual Periphery Demographic (adult men) of the [[Magical Girl]] genre. Then [[Wham! Episode|episode 3]] rolled around and fans realized that the createrscreators were doing [[Genre Deconstruction|something else altogether]]. However, this has not stopped the series from having both male ''and'' female fans. Mostly adults, though. This... [[Nightmare Fuel|really]] isn't a show for [[What Do You Mean It's Not for Little Girls?|your little sister]].
* A notable portion of the ''[[Kimi ni Todoke]]'' fandom consists of older males. Reasons for this include the series in many ways breaking the shoujo mold, such as favoring [[Single Woman Seeks Good Man]] over [[All Girls Want Bad Boys]] and focusing a good portion of the story on the non-romantic relationships between characters. Plus, Sawako is pretty relatable to a lot of timid manga/anime fans of both genders, and when she's not [[The Un-Smile|unintentionally scary]], she's actually [[Moe|really cute]].
* ''[[Pokémon Special]]'' is published in magazines aimed for elementary school kids, but its strong sense of character and continuity draws in older readers, especially those nostalgic for the games but got tired of the anime.
** Similar to the Power Rangers example in Live Action TV, ''Pokémon Best Wishes'' is utilizing similar ideas and concepts to the Kanto saga to attract teenage and 20-something fans to the anime. Couple that with far less filler than the sagas that preceded it, high-quality animation, and [[Mamoru Miyano]] voicing one of the three main heroes; and you have one of the most accessible sagas in the show's history.
* ''Bakugan'' is a typical [[Merchandise-Driven]] Mons anime, generally aimed at 6-11-year-old boys. The character designs of the humans, both [[Mr. Fanservice|male]] and [[Ms. Fanservice|female]] attract teenagers and 20-somethings who could care less about the story. There are also all manner of adults who buy the figures and cards and have long discussions about the mechanics of the game.
* Even [[Berserk]] has a much larger female audience than you would logically expect from its well earned fame as one of the goriest, most disturbing anime around. This is because its female characters are non-stereotypical (not to mention that it is perhaps one of the few works of fiction that treats {{spoiler|rape}} and its psychological repercusionsrepercussions with realism and, what do you know, respect. And that, as fans will quickly tell you, the main story is based on more universal and epic matters than "tits and gore" infamy be dammed.
* ''[[Daily Lives of High School Boys]]'' is targeted to the [[Seinen Demographic]], but like most works in this genre it has a sizable female readership—due to the fact that most of the cast is male. The ending credits message for Episode 6, aired on the midnight before Valentine's Day, [[Lampshaded]] this:
{{quote|''It may be Valentine's Day, but don't send the characters chocolate or anything. If you're sending it anyway, please send it to [[Sunrise (company)||the studio]], not the TV station.''}}
 
 
== Comics ==
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* [[Chick Tracts]] [[Playing with a Trope|may or may not be an example]]—their target demographic is evangelical Christians, but said Christians are supposed to use them as witnessing tools to convert non-Christians... the very people who are the biggest "fans" of the tracts—but for [[Snark Bait|other]] [[Narm|reasons]].
* Despite [[Batman]]'s chiefly male readership (and target demo), Dick Grayson/Nightwing is well known as a draw to the series for women, and sales figures for [[Nightwing|his stand-alone title]] reflect this, to the point he has better support from female readers than any female character. While some suspect it's because he's [[Estrogen Brigade Bait|cute]], others have suggested the appeal might have something to do with his role as Batman's [[The Chick|supportive partner]] and his [[Applicability|struggle to determine his identity outside of that role]].
** Jason Todd also has a large female fanbase. Pretty much because he is a [[Darker Andand EdgerEdgier]] [[Pretty Boy]] with daddy issues ([[Jerkass Woobie|and many others]]) and was voiced by [[Jensen Ackles]] in his [[Batman: Under the Red Hood|animated movie.]] Really all the Robins have a large female fanbase.
* Stan Lee noted in an interview that, going by fan mail, there was a substantial female fanbase for [[Iron Man]] Tony Stark as he was rich, handsome and "damaged".
* ''[[Power Pack]]'' often had adult fans in the letter section note the quality was far above. Inverted now: Due to the age of the franchise (the original series ended in 1990 with a delayed finale published in 1992, the last published work to star the characters was published in late 2010) very few modern fans are (still) children.
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== Computing ==
* Tons of people who used Windows XP Professional edition were home users, instead of business users as originally intended.
** This one can be blamed on [[Technology Marches On]]. In the early years, there were software houses that released software that outright refused to install if it detected that the version of Windows installed was not XP Professional (IBM with Rational Rose and DataStage comes to mind). Yes, there are people who take their work home, particularly if there's a looming dateline and they're not allowed to stay at the office overnight, and there are companies evil enough to not provide a laptop to the employee if they need to take their work home. Later, when multi-core CPUs hit the market, it was discovered that Windows XP Home was crippedcrippled to the point where it supported only ''one'' core in ''one'' CPU, nothing more. As far as Windows XP is concerned, each core is a separate CPU. Sure, Device Manager shows two CPUs on a dual core machine, but Task Manager shows only one CPU, and does not provide any options to map CPU affinity.
* Because Windows ME was such a horribly buggy operating system, a lot of home users settled for Windows 2000 instead, which was similarly intended for business users.
* Adobe Photoshop was originally targeted at the professional market segment only and was priced accordingly. But the vast number of home users pirating it for private use, like [[Fauxtivational Poster]], made Adobe realize this marked potential and led to the release of the much more affordable Photoshop Elements line.
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* ''[[Star Wars]]'' is a story about [[The Hero]] fighting [[The Empire]] {{smallcaps|[[Recycled in Space|IN SPACE]]}}, and clearly aimed at the Sci Fi crowd. It ended up appealing to, in one way or another, ''absolutely everyone''.
* [[Tyler Perry]]'s movies are pretty popular with white Southerners, probably due to the Christian values promoted. Surprising because his target demographic is black church-going types.
* ''[[Superbad]]'' was mainly targeted toward the 20-37-year old people who remember what high school was like, but it has also gained many 14-18-year old fans who enjoy the movie for its crazy and naughty humor, and the characters.
* ''[[Ratatouille]]'', as noted by [[The Onion]] AV Club, has gained a cult following among all artists because it is the best at showing what actually creating art feels like.
 
 
== Literature ==
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* ''[[The Hunger Games]]'' is an interesting example of what happens when you ignore the periphery demographic. Marketed as a gritty dystopia, its romantic subplot attracted a large number of young female fans (particularly after Stephenie Meyer endorsed the series.) When the final book dropped most of the romance to focus in on the dystopian elements, fans still bought it - they just complained about it on the internet.
** What's even weirder is the large amount of tweens who started reading the book despite the romance. In fact, many tweens started reading it BECAUSE of the fact that it was edgy and gritty, compared to most of the romantic fluff marketed towards them.
* ''[[Percy Jackson and The Olympians]]'' has a very large fanbase of older fansreaders of high school and college age who picked up the series and stuck with it not only for it'sits clever humor and being literally based on the idea of the [[Mythology Gag]], but also because of it's surprisingly deep character development and realistic responses to certain situations. It's a rare mixture of regular young teen action/adventure novels mixed with older demographic drama.
* ''[[Warrior Cats]]'' is aimed at 10 -year-olds, but the average age of a member of the fandom<ref>on [[Warrior's Wish]]</ref> is 18.
 
 
== Live-Action TV ==
 
=== General ===
* Daytime television has traditionally been aimed at children and housewives, who were the largest demographics expected to be home during the day. However, college kids, slackers, and other groups have catapulted certain shows into mainstream appreciation.
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* Most shows [[Girl Show Ghetto|aimed for tween girls]] can sometimes be this towards boys. Shows like ''[[Lizzie McGuire]]'', ''[[iCarly]]'', ''[[Sonny With a Chance]]'', ''[[Victorious]]'', ''[[Shake It Up]]'', etc., would sometimes be watched by boys either because they like/have a crush on the lead/supporting girls in the show, to hear them sing, to enjoy their antics, or all of them.
** Many shows aimed for kids or tweens also have large college-aged audiences. ''[[SpongeBob SquarePants]]'', ''[[Fairly Oddparents]]'', and ''[[iCarly]]'' are all good examples of this.
* The idea of the Sci-Fi Channel (or SyFy now) having a mostly young male demographic is increasingly fallacious, which the execs seem to have some difficulty recognizing; when confronted with the fact that many of their viewers are women, David Howe [http://scifiwire.com/2009/03/sci-fi-president-dave-how.php acknowledged that] "almost half of our audience is women, thanks to shows such as ''Ghost Hunters'' that attract more women than men", completely ignoring the fact that many of their scripted shows (''[[Farscape]]'', ''[[The Invisible Man (TV series)|The Invisible Man]]'', the various [[Stargate Verse|Stargates]], ''[[Battlestar Galactica Reimagined(2004 TV series)|Battlestar Galactica]]'', etc.) had/have significant (if not overwhelmingly, or at least more involved in online fandom) female audiences.
* [[German TV Stations|Kika, a German kid channel]], has a mascot called Bernd das Brot (Bernd the Bread). The pessimistic bread became a cult favorite with young adults and teens in Germany. Kika started airing a looped program with Bernd instead of static after 9 P.M, attracting many insomniac young viewers.
* Teen shows with prominent gay or lesbian characters, like ''[[Pretty Little Liars]]'' or ''[[Greek]]'', often find themselves with significant ''adult'' followings in [[Fan Yay|the LGBT community]].
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* Shows aimed at older children. ''[[Raven]]'' is surprisingly popular among adults, and ''[[The Sarah Jane Adventures]]'' is watched by many adult fans of parent show ''[[Doctor Who]]''. When you consider that the show has ''[[Torchwood]]'' references, that may be intentional.
** Speaking of ''[[Doctor Who]]'' that show itself probably belongs here; it was originally intended as a show that would teach history to kids, but when it started going more overtly science fiction (in its second serial no less) it started to bring in a lot more adult fans who would watch with their children, not to mention the kids who grew up and yet stayed with the show into adulthood thanks to its [[Long Runner]] status. It's a matter of (at times quite heated and interminable) debate, however, whether the show is a 'family' show (i.e. intended for both kids and adults from the start), a kid's show that happens to claim a strong Periphery Demographic among adults, a kid's show which eventually became a family show or something else entirely.
* Although ''[[Beakman's World]]'' was generally aimed at 9-to-14 year old school kids, high -schoolers and college students liked it too. Maybe it was because they finally got what they couldn't get in middle school; maybe it was because the main character looked like someone who'd do drugs; maybe it was the assistants (no, not the rat); or even a combination of all three.
* Similarly, ''[[Bill Nye the Science Guy]]'' still has a significant following among young men, which may have been a factor in creating a similar series more directly targeted at them.
** In Seattle (where the show was filmed), a large part of the audience were older adults who really missed ''[[Almost Live]]'', where the Science Guy and the other cast members got their start.
* The children's TV show ''[[LazyTown]]'' is also known to be popular with teenagers and young adults as well as parents. At least some of this is due to entirely [[Lolicon|unwholesome]] reasons, though given Sportacus's and Robbie's tight pants we can be reasonably sure that some of the [[Parent Service|adult appeal]] is deliberate.
** Though [[Ear Worm|some of the songs are catchy]] as well. [https://www.youtube.com/watch?v=i8ju_10NkGY "You Are a Pirate"] is the only reason some people have even ''heard'' of this show.
* ''[[iCarly]]'' started off aimed at roughly the 8-14 market, but ended up being a massive hit in all the children and teen demographics (from young kids to mid teens). Since people caught on to the massive amounts of [[Getting Crap Past the Radar]] included, it's now a big hit with adults and college viewers as well.
* ''[[Wizards of Waverly Place]]'' - It has a [[Getting Crap Past the Radar]] page and a former [[Fetish Fuel]] page. You can't deny there's a periphery demographic following this show.
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* The Canadian TV series ''[[Trailer Park Boys]]'' is very popular with both criminals ''and'' police officers. The former are able to identify with the main characters (the producers even describe the show as "''Cops'' from the criminal's point of view"), while the cops enjoy seeing depictions of what they have to deal with in their jobs.
** It's also popular with both the lower-class demographic it depicts and more well-to-do people who find the portrayal of their lifestyle hilarious.
* Word on the street has it that the live-action ''[[Dresden Files]]'' TV series was cancelled because, while it had an active fan following, said fan following was mostly older women who didn't mesh with the rest of The Sci-Fi Channel's (perceived) young male demographic.
* As for Sci-fi examples, ''[[Stargate Atlantis]]'' was cancelled to make way for ''[[Stargate Universe]]'' so TPTB could appeal to athat younger male demographic instead of SGA's (very large) female fanbase.
** Considering the copious amount of almost soap-operish melodrama (at least in the opening episodes), it seems that SyFy have decided to try for [[Multiple Demographic Appeal]] with the show.
** TPTB claim that the cancellation of SGA and the launch of SGU weren't direct causation. They have not convinced many fans that this is true.
* ''[[Queer as Folk]]'' was intended for gay men to watch, but ended up largely drawing in [[Yaoi Fangirl|straight women]].
** Its [[Distaff Counterpart]], ''[[The L Word]]'', also caught the attention of many straight men because, well ... [[Girl-On-Girl Is Hot|let's face it]].
* The ''[[Vision On]]'' [http://www.youtube.com/watch?v=UcCHRW8G9yY gallery theme tune], so iconic it penetrated a national consciousness, can only be intended for the periphery demographic, as the intended audience was {{spoiler|deaf children.}}
* ''[[Sesame Street]]'' intentionally invoked this trope, in order to create a show that kids and parents would watch and enjoy together. This kids show grew its following gradually; when the original kid viewers grew up to be adults, they would subsequently watch the show with their own children.
** Same goes for, in a slightly different context, with ''[[Mister Rogers' Neighborhood]]''. Compared to Sesame Street, Mister Rogers had more [[Affectionate Parody|Affectionate Parodies]], although [[Saturday Night Live|some]] [[Family Guy|were controversial]].
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* Both the producers and the star, [[Jeremy Brett]], were surprised to learn that their 1984-1994 ''[[Sherlock Holmes]]'' TV series adaptation was very popular with kids, who seemed to see the lead character as a [[Superhero]]. As such, Brett got permission from the granddaughter of Arthur Conan Doyle to have Holmes beat his cocaine addiction and bury his needle.
* ''[[The Golden Girls]]'' and ''[[Sex and the City]]'' have such a huge [[Camp Gay]] demographic, it's been frequently implied (often by [[Periphery Hatedom]]) that everyone else is their periphery demographic.
** It's a little hard to find ''The Golden Girls''{{'}} original demographic. Even during its debut it was very popular with younger demographics (and still is). When asked why, I think [[Betty White]] said it best, "Because it's funny!"
** It probably also has something to do with how the whole thing was [https://web.archive.org/web/20110119085507/http://legendsrevealed.com/entertainment/2011/01/14/tv-legends-revealed-35/ spun out of a joke about NBC's fall line-up at the time that seemed to go over well.]
* In addition to ''[[The Golden Girls]]'', several other sitcoms airing from the mid 1980's to the mid 1990's fit this trope. ''[[The Cosby Show]]'', ''[[The Fresh Prince of Bel-Air]]'' and ''[[Family Matters]]'' all had predominantly African-American casts, and were/still are enjoyed and appreciated by viewers of many backgrounds. Although ''[[Full House]]'' skewed more toward a female audience, the show was popular with males as well.
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* [[Emilie Autumn]], despite probably, along with Otep, being the closest thing to riot grrrl today, has a rather large male fanbase.(according to a survey, as much as 60% of her fans were male). She has acknowledged this, calling them her "Asylum Boys".
* For most of the 1980s and 1990s, [[Johnny Cash]] was thought by most country music executives to be washed up and incapable of attracting younger fans. Then he hooked up with [[Hip Hop]] producer [[Rick Rubin]] for a series of recordings featuring covers of artists like [[Nine Inch Nails]] in classic Johnny Cash style. These were a huge success with young [[Alternative Rock]] fans, revitalizing Cash's career.
* [http://www.youtube.com/watch?v=3x4weajfqm0 "Green and Purple"], a weed-themed parody of Wiz Khalifa's "Black and Yellow", has attracted a lot of [[Image Board|/v/ users]] due to the two colors' [[Memetic Mutation|memetic status]] on there. Why those two colors are popular [[Rule 34|is something]] [[Dragonball Z|to discuss later]].
 
 
== Newspaper Comics ==
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=== Specific ===
* ''[[The Far Side]]'' gained a substantial following among biologists and other scientists, most particularly for cartoonist Gary Larson's humorous [[Shown Their Work|yet accurate]] depictions of anthropomorphic animals. Larson, himself a wilderness buff, was especially gratified by this, especially when one of his fans arranged to have a species of chewing louse named after him.
** And as a further [[Shout-Out]], when a paleontologist realized that no scientist had ever actually given a name to the bunch of bone spikes on a stegosaur's tail, he proceeded to start using the name given to them by the one guy who had ever thought about it: thus the growing usage of [[wikipedia:Thagomizer|"thagomizer"]] in the paleontological community.
** Following one cartoon that involved a female chimp accusing a male chimp of "hanging around with that Goodall tramp", Larson got a bunch of hate-mail from people who resented the implication on Jane Goodall's behalf - and a letter from Goodall herself telling him that she thought the cartoon was hilarious and that she was honored to have been featured. Goodall, who was a long time fan of ''[[The Far Side]]'' enjoyed the cartoon so much that she invited Larson to her nature reserve in Tanzania and wrote the preface for a collection of ''Far Side'' comics that included the cartoon. Her institute also recently{{when}} began selling a T-shirt with that same cartoon on it.
*** And in the first known instance of interspecies [[Periphery Hatedom]], [[Shout-Out|Frodo]], Goodall's alpha male chimp, proceeded to [[Curb Stomp Battle|beat the snot]] out of poor Gary Larson. Jane Goodall recounted the experience in the preface she wrote to one of the ''Far Side'' collections.
 
 
== Toys ==
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* ''[[Transformers]]'' is the absolute king of this. About 10% - 20% of toys are sold to adult collectors. Hasbro and Takara are only too pleased to appeal to these people, with [[Homage]]-tastic toys, [[Transformers Generation 1|G1]]-centric comics, and general love. Plus, we have ''[[Transformers Animated]]'', master of the [[Mythology Gag]] and much loved among fans for its own merits.
** This relationship is inverted with the [[Transformers (film)|live-action movies]]: though primarily aimed towards older teenagers and adults (what with all the gratuitous swearing, violence [[Arson, Murder, and Jaywalking|and]] [[Mythology Gag]]s, the movies are more unanimously popular among children than [[Love It or Hate It|among]] [[Broken Base|adults]], resulting in a fair bit of [[Misaimed Marketing]].
* It is certainly true that ''[[My Little Pony: Friendship Is Magic|My Little Pony Friendship Is Magic]]'' has developed the rather unexpected Brony Periphery Demographic. These fans praise the cartoon for many reasons, ranging from quality animation, to well developed characters, to great [[My Little Pony: Friendship Is Magic/Shout Out|pop culture Shout Outs]], and even the domination of the internet by [[My Little Pony: Friendship Is Magic/Memes|Pony Memes]]. Much of the fandom for this show built its foundations on the internet, and many view the episodes on livestreams, YouTube, or download them via torrents. Some have chosen to support Hasbro's show with their hard earned cash to make up for their effective piracy of the show (which Hasbro doesn't seem to mind about, allowing episodes to be posted online). Others genuinely are into it for collecting. Regardless of the reasons though, an increasing number of these Brony fans have taken to browsing the pink aisle in their local department stores.
** Some Bronies buy custom toys from other Bronies. The work put into these can be staggeringly amazing.
** Though it is worth noting that some official merchandise actually spits in the face of this trope, with Hasbro actually changing elements of the show in order to sell their products better with [[Target Audience|young girls]]. One such change was altering Princess Celestia's color from [https://web.archive.org/web/20120524093742/http://images3.wikia.nocookie.net/__cb20120401202551/mlp/images/thumb/1/13/Celestia_large.jpg/452px-Celestia_large.jpg white] to [http://rebeccahains.files.wordpress.com/2012/01/screen-shot-2012-01-16-at-9-56-42-am.png pink], much to the chagrin of many Bronies.
** And then the periphery demographic grew so large that Hasbro is releasing [http://www.equestriadaily.com/2012/02/celestia-is-finally-white.html a new series of toys that is quite obviously built to appeal to them], including a non-pink Celestia and toy versions of [[Ensemble Darkhorse|fan favorites]] Trixie, Zecora (which is made with ''glow in the dark material''), DJ PON-3, and [http://www.equestriadaily.com/2012/02/hasbros-mlp-booth-video-time-for-lyra.html Lyra]. To say that [[And the Fandom Rejoiced|the fans were happy]] is a massive understatement.
* In the world of toys, there's [[Built With Lego|Lego]]. While the iconic building bricks are marketed to kids, there's a number of adults who make a hobby of them as well. Lego has seemed to thoroughly embrace this demographic; scale Lego models and the people who design and build them are showcased in the Legoland theme parks, and there's a downloadable program for home model design and purchase. And then there's the Lego themes with nostalgia value, like ''[[Lego Star Wars]]'' and ''[[Lego Indiana Jones]]''. Even the in-house ''[[Bionicle]]'' line has its own Periphery Demographic. And then there's a host of online webcomicsweb comics using Lego, such as ''[[Irregular Webcomic]]''.
** Lego itself may be a sort of double-inversion, as the toys were originally intended as ''architectural tools'' to allow, well, ''architects'' to rough out a model of a prospective building in 3D in a rapid and efficient manner. To this day they're still used as this, and Lego has even spun-off a corporate consulting division which uses Lego bricks to help solve problems in similar ways. This went full circle when Lego started its Architecture line, Lego sets for architectuallyarchitecturally famous buildings.
** Being an adult also has its advantages. For one thing, [[Crack is Cheaper|it's actually affordable to you]], and adults have the skills to engineer much more complex sets (check out the author's creations [http://www.reasonablyclever.com/lego.html here] at ''Reasonably Clever'', home of the famous [http://www.reasonablyclever.com/mizers.html Lego Minimizer]).
** Lego Mindworks has become popular as of late{{when}} with early robotics engineering prototyping, lower level university mechanical engineering courses, and AI with robots (which hack out the default Mindworks instruction system for something more suitable like ROS).
* A line of merchandise called ''151'' was released in Japan. What are they? Artistic ''[[Pokémon]]'' products for the series' large young adult fanbase, many of whom became fans when they themselves were children. As the name implies, it focuses on the first-generation Pokémon that the older fans started with.
* American Girl, despite being a company aimed at girls between the ages of 8 and 12 mostly, has a very large fanbase of adult women, usually middle-aged or older with either children outside of the target age or no children of their own. There are at least three popular adult collector forums (with thousands of members each) and most of the secondary market is fueled by the demand from adult collectors.
* If you go to a [[Barbie]] convention, you will not find many people there who are too young to buy the dolls with their own money, and only about half of them will be female. (despite how some of them dress.)
* Even specific toys can get this. A Hot Wheels radar gun has become remarkably popular among [[geek]]s, presumably because it's cheap, durable enough to stand up to kids, and one of the few radar guns you can buy in the toy section of any store.
 
 
== Video Games ==
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* Is there a museum of Science and Industry or other applied sciences museum near where you live? Does it have any kind of an "interactivity" focus? Was it around in the late 70s? If you search, they probably have a ''Lunar Lander'' arcade machine somewhere in there set to free play.<ref>For those not in the know, ''Lander'' was a more or less accurate 2D simulation of what landing a Lunar Lander is like, inertia and all, making the '''museum''' the periphery demographic here.</ref>
* ''[[Metal Gear Solid]]'' has its intended fanbase of teenage boys and college aged men, and its unintended fanbase of women of ages 16–25 who are in it for the men in skintight sneaking suits, and the [[Yaoi Fangirl|heavy amounts of]] [[Ho Yay]]. Some of them like the explosions and giant robots as well, of course.
* ''[[The Idolmaster (video game)|The Idolmaster]]'' is a pop star raising simulation game with an all female cast (That is, until [[Wholesome Crossdresser|DS]] and ''THE iDOLM@STER 2'') that was intended for male otaku. However, due to it being very girly, with there being a focus on fashion and the [[Virtual Paper Doll]] aspect, songs about girl power, and well, the fact that the cast is all female, there isare quite a lot of female fans, especially in the westWest. Namco even acknowledged this and added three [[Bishonen]] male idols as rivals in ''THE iDOLM@STER 2''. Unfortunately, while the female fans were pleased, it provoked a massive backlash against the game from [[Unpleasable Fanbase|the male otaku audience]], in part because some of the original cast didn't make it into the sequel and the [[Bishonen]] males were [[Replacement Scrappy|seen to be "replacing" them]].
* ''[[Team Fortress 2]]'' has a whole following that doesn't care about weapon balance or mini-crits or even, God Forbid, '''hats'''. They just love to [[Shipping]] [[Yaoi Fangirl|the all-male]] <ref>Besides some of the background characters, and the mystery of the Pyro</ref> cast together, draw art and write [[Slash Fic]]s about them. With in-game achievements like "Beaux And Arrows" (kill a Heavy-Medic duo with the Sniper's longbow), [[Valve]] are hardly discouraging this. "I LOVE THIS DOCTOR!"
* The ''[[Tokimeki Memorial]]'' [[Dating Sim]] series, though very much aimed at a male audience, acquired a significant female fanbase. In fact, this led [[Konami]] to create the [[Gender Flip|gender-flipped]] "Girl's Side" branch of the series.
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* It may be rarer for a ''[[Touhou]]'' fan to have actually played the games, rather than be drawn to it by the [[Fantasy Kitchen Sink|setting]], the [[Loads and Loads of Characters|massive, colourful cast]] (and equally massive amounts of fan art) and/or the [[Touhou/Awesome Music|awesome music]] (and equally awesome arranges).
** For exactly the same reasons, the fanbase has a large margin of females as well, despite the [[Fundamentally Female Cast]].
** The Periphery Demographics are, in fact, the reason for most of the popularity the series has accumulated. The games themselves are fairly standard [[Bullet Hell]] [[Shoot'Em Up|Shoot Em Ups]], however fanartistsfan artists became obssessedobsessed with ZUN's (often conceptually brilliant, always technically flawed) character designs and sought to improve upon them, the doujin communities saw incredible potential in an elaborate setting with piles of [[Fanfic Fuel]], [[Fan Fic Magnet|Fanfic Magnets]] and [[OC Stand-In]]s, and the musical arrangers fell in love with the music, to the point where they managed to turn [http://www.youtube.com/watch?v=DLGW4-pgGXc this] into '''[http://www.youtube.com/watch?v=e-eensMhO_k this]'''.
** Best part of it all is ZUN outright supporting this whole thing by effectively saying "Don't spoil the endings, don't use my sound effects in your fan games. Otherwise, ''do whatever you want because I don't mind it as it's cool and there will be no copyright issues EVER.''"
* ''[[Bully (video game)|Bully]]'' was created to appeal to the fans of the ''[[Grand Theft Auto]]'' series, but with its high school aged, mostly male cast, it has a very strong following in the [[Slash Fic]] writing community. The insane amount of gay jokes and [[Ho Yay]] present within the story also contribute to that.
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* The [[Sonic the Hedgehog]] series has many teenage and adult followers as well as child fans, due to nostalgia from the Genesis/Saturn/Dreamcast days, and for the sexily-designed female characters like Rouge, Wave, and Blaze.
** Also, for some reason it's extremely popular among autistic people.
* The rather... complicated storylines, the dozens of [[Estrogen Brigade Bait]]s and the ''buttloads'' of [[Ship Tease]] (either [[Het]] or [[Ho Yay]], as well as some bits of [[Les Yay]]) has made ''[[The King of Fighters]]'' '''extremely''' popular among female players. It does help that it's among the [[Long Runners]], therefore many of the ladies who play it now likely grew up watching other people playing the earlier games.
** Similarly, ''[[Guilty Gear]]'' also has a sizable female fanbase for similar reasons.
* ''[[Catherine]]'' has a scene amongstamong, of all things, ''competitive gamers'', thanks to its versus mode. It's become a staple at some fighting game tournament events, to the point where there are money matches.
* [[Humongous Entertainment]]'s games have gotten a lot of older fans, many from those who grew up on them. The large amount of [[Parental Bonus]]es helps quite a bit.
* Say, did you know that the ''[[Kingdom Hearts]]'' games (especially the first) are games to be enjoyed by children? And did you know that the majority of the fandom is composed by teenagers and young adults?
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** ''[[Regular Show]]'' deals with a lot of stuff only teenagers and adults can truly relate to.
{{quote|"They'll rock your 11 to 15-year old pants off! Yes, that's our demographic. GET OVER IT!"}}
** ''[[Ed, Edd 'n' Eddy|Ed, Edd n Eddy]]'' has a large following among kids, teenagers AND adults, mostly due to its overwhelming amount of [[Ho Yay]], plus plenty of amusing stuff for those who aren't Yaoi Fangirls.
** The infinitesimal but vocal ''[[Time Squad]]'' fandom is now composed almost entirely of slash fans, though this is about as surprising as ''[[Thomas the Tank Engine]]'' attracting railroad enthusiasts.
** ''[[Teen Titans (animation)|Teen Titans]]'': popular among teens and college-age people, even though Sam Register didn't want it to become a "fanboy show".
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*** This also has to do with the series being made in Canada, which means that they can get past a lot more adult things in what is still marketed as a kids' show, at least compared to Cartoon Network. However, at some points it's hard to view it as one either way; see [[Getting Crap Past the Radar]], [[Ho Yay]], and [[Precision F-Strike]] for more.
** ''[[Stoked]]'' and ''[[6teen]]'' which, although marketed to teens, have a decent to substantial base in their 20's.
** ''[[Batman: The Brave And The Bold|Batman the Brave And The Bold]]'': ostensibly a [[Lighter and Softer]] version of ''Batman'', except for the load of [[Mythology Gag]]s put in just about every episode that appeal to adult viewers.
*** [http://www.youtube.com/watch?v=tFb2NExVIWU And also stuff like this.]
*** [http://www.youtube.com/watch?v=fAFP0IoMfsA Or this.]
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** Teenage and college age viewers make up a surprisingly big percentage of ''[[SpongeBob SquarePants]]'' viewership (so much that it sometimes airs on MTV) ''SpongeBob'' is a well-written series, greatly assisted by occasional audience [[Watch It Stoned|chemical enhancement]] and the use of [[Parental Bonus|jokes and concepts that intentionally go over younger viewers' heads]]. If you ever worked in fastfood like many teenagers and college students do you can relate to what Spongebob and Squidward go through at The Krusty Krab.
** Less surprisingly, ''[[Avatar: The Last Airbender]]'' also boasts such viewership, easily explained by virtue of the anime fandom's presence on college campuses as well as the series' particularly well-done writing; The creators' have expressed that they write for themselves as much as for their target demographic.
** The same can be said about [[Sequel Series]] ''[[The Legend of Korra]].'' To put it in perspective, the 1-hour series premiere had a 1.01 adults 18-49 rating out of its 4.5 million viewers, and another episode had almost 4.1 million total and a 1.13 adults 18-49 rating. Teenagers are also loving it as well, to the point where it's scheduled to start{{when}} airing on ''Degrassi''-loving [[Teen Nick]]!
** ''[[Rugrats]]'', most likely thanks to a heaping serving of [[Parental Bonus]].
** ''[[Iron Man: Armored Adventures]]'' has a surprisingly large female fanbase, which is usually unheard of for superhero shows, as well as a decent number of anime fans. This can probably be explained due to the series' heavy anime-influence which is popular with both unintended demographics.
** Guess what age group (and what culture/subculture) made up half of the fanbase (and probably still does) of ''[[Invader Zim]]''? Hint: It's not precisely the younglings. However, the fact that younger kids were not interested in it unlike the above three shows was part of [[Too Good to Last|its demise]].
** ''[[Danny Phantom]]''. Intended for preteen boys, apparently, but the majority of fans tend to be female. And of the college age.
*** The show also enjoys a strong following amongstamong college/adult male cartoon fans who seem drawn to the female characters' often buxom designs. And they don't call them [[Hartman Hips]] for nothing!
** ''[[The Ren and Stimpy Show]]'' was originally rated as U (all ages), but the users of the commonsensemedia.com website rated it to be suitable for viewers above 13 years of age. The show is very popular among adult animation nerds, majority of which are aged 20+.
** ''[[The Fairly OddParents]]'' is mainly targeted at kids in elementary school, but it has acquired popularity with young adults due to its extremely quirky characters, hilarious plots, celebrity guests (such as Jay Leno and [[Adam West]]), and numerous gags and pop-culture references that [[Parental Bonus|may go over kids' heads.]]
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** ''[[KaBlam!]]'' kind of inverts this. It had a pretty big audience of the usual seven to eleven demographic, though earlier, Nick was trying to target the show towards teenagers (while still keeping it TV-Y7). The show was also had a solid adult fanbase as well.
** ''[[Tuff Puppy]]'' has a bit of a fanbase in the [[Furry Fandom]]. [[World of Funny Animals|No points for guessing why]].
* The [[DCAU|DC Animated Universe]] has some of the most intelligent, mature writing in Western Animation. So it's no surprise ''[[Batman: The Animated Series|Batman the Animated Series]]'', ''[[Superman: The Animated Series|Superman the Animated Series]]'', ''[[Batman Beyond]]'', ''[[Static Shock]]'' and ''[[Justice League (animation)|Justice League]]'' have huge teen and adult fanbases. Including the comic book geeks who watch these out of sheer obligation.
* The intended audience of ''[[Totally Spies!]]'' was intended to be elementary- and middle -school -age girls, but due to the show's [[Fetish Fuel|fetishistic overtones]], the show has found its primary audience among college -age males.
* Near the end of ''[[Bugs Bunny]] and Tweety]]''{{'}}s run on [[ABC]], the show was still receiving a respectable total number of viewers, mainly outside the 2-11 audience. It was only cancelled because their contract ran up, and ABC by then switched to [[One Saturday Morning|an all-Disney lineup]].
* Lots of people love ''[[Kim Possible]]'', many of them parents themselves.
** This is evidenced by its strong showing on fan-themed sites such as [[Fanfiction.net]] where, as of October 2010, it registered over 7,000 posted stories, one of the largest listings in the Cartoon category. (A good proportion of them being [[Les Yay]] [[Slash Fic]]s. And the writers are well aware of the popularity of these pairings.)
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** It's a show for preteens and kids, on networks solely for kids and it gets an episode that parodies various [[Comedy Central]](!) shows. Especially notable is the ''[[South Park]]'' segment.
* This (and the fact it was not [[Merchandise-Driven]]) was what killed ''[[Adventures of the Galaxy Rangers]]''. Gaylord (one of the production companies) wanted to attract the 7-12 year old demographic, but the show's more mature tone and [[Character Development]] attracted an audience of teenagers and young adults - [[Merchandise-Driven|not the type who would beg parents for toys]]. Mix this with [[Germans Love David Hasselhoff]] (the series did better in Latin America, the UK, and Germany) and Gaylord wasn't going to touch the idea of a second season.
* Many a ''[[Adventures of the Galaxy Rangers|Galaxy Rangers]]'' fan (then in their 20's and 30's) were also taping ''[[Jonny Quest: The Real Adventures|Jonny Quest the Real Adventures]]'' for many of the same reasons they dug ''GR''.
* ''[[Animaniacs]]'' intentionally invoked this trope; it was marketed to kids, but was also intended for adults, with [[Getting Crap Past the Radar]] and old pop culture references in nearly every episode. Yet, it had enough [[Slapstick]] and [[Toilet Humor]] alongside the [[Parental Bonus]] to keep the kiddies entertained, which is probably ''part'' of the reason it outlived many similar shows.
** Same with ''[[Tiny Toon Adventures]]'', which has a huge fanbase of both younger and older fans, and lasted about the same as Animaniacs did.
** ''[[Pinky and The Brain]]'' is pretty much an inversion, especially when they got their own spinoff[[Spin-Off]] on Sunday evenings. ''[[Animaniacs]]'' for all its '''brilliant''' [[Getting Crap Past the Radar|adult humor]] and [[Parent Service]] still had LOTS''lots'' of slapstick and anvils dropping on people in every episode. And yes, Pinky's idiocy, catchphrases, and the show's occasional physical violence (against Pinky, usually) was there to keep the kids entertained. But practically everything the Brain said ([[Maurice LaMarche|as well as the fact that the voice actor is doing]] [[Orson Welles]]), AND''and'' the pop culture references, AND''and'' the often VERY''very'' scathing political and social commentary of the show, AND even the occasional [[Take That]] at the younger viewers, all possibly leads one to believe that the show was really a program for parents that kids would watch and not get 90% of what was going on (making the kids the Periphery Demographic). And even in Pinky's case, the "Are You Pondering What I'm Pondering?" exchanges eventually got extremely out of a child's comprehension. I for one wonder if the failed ''[[Pinky Elmyra and The Brain]]'' spin-off was green-lit because [[Executive Meddling|some executive wanted to increase the kid viewership to a very smart, adult program by severely curtailing the adult appeal in favor of getting more young children watching the program]].
* ''[[Veggie Tales]]'' has fans who are neither children nor religious. The copious cultural-reference [[Parental Bonus]]es probably help.
* ''Little Howard's Big Question'' is an example of this, possibly due to "Big Howard" Howard Read being a rather excellent "grown up" stand-up comedian.
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* ''[[South Park]]'' is ''extremely'' popular with [[Yaoi Fangirl]]s, if the amount of [[Slash Fic]] and fanart featuring its characters is any indication.
** [[South Park/Ho Yay|Although, to be completely honest, the fangirls don't just get it from nowhere.]]
* ''[[Jimmy Two-Shoes|Jimmy Two Shoes]]'' has an audience with adults, but what do you expect from a kids' show that takes place in [[Hell]]?
* Aren't you a little bit old to watch ''[[Phineas and Ferb]]''? Common response: [[Catch Phrase|Yes. Yes I am.]]
** This can be explained by the show's surprisingly clever writing, [[Better Than a Bare Bulb|lampshadic nature]], almost constant [[Parental Bonus]] and [[Shout-Out|references]] to things ''definitely'' not for kids, [[Getting Crap Past the Radar|a whole lot of crap going past the radar]], and the fact that pretty much every episode [[Trope Overdosed|died of trope overdose.]]
** Plus, just like with every (or almost every) Disney cartoon, there are many female characters that the male viewers find hot, like Vanessa, Candace, and Stacey for example.
* This is the entire motto AND modus operandi of [[The Hub]]. Knowing they couldn't beat the other major kids' networks with just kids watching, it's a veritable fountain of fun Periphery Demographic. Their crown jewel in this regard is ''[[My Little Pony: Friendship Is Magic|My Little Pony Friendship Is Magic]]''; see the Toys section above.
* ''[[Dave the Barbarian]]''. It was full of [[Parental Bonus]]es, so it's not surprising.
* ''[[W.I.T.C.H.|WITCH]]'', a comic/cartoon about five girls with magical powers, has no small number of male fans, in part due to its gorgeous art (and ''not'' just in a sexual sense, either; it's essentially a series that ascends Disney fairy-tale art [[Up to Eleven]]), and in part due to the way its characters, though predominantly female, are also very ''human''. The show took its appeal to the opposite gender even farther; while Blunk was [[The Scrappy|not so liked]], [[Freakazoid!|Napoleon]] the [[Hey, It's That Voice!|talking]] cat was a big hit, to the point that it's sad his screen antics never ascended in the comics.
** That [[Greg Weisman]], the creator of ''[[Gargoyles]]'', had a hand in it really shows.
* This trope goes all the way back to the late 1950s. Early [[Hanna-Barbera]] shows such as ''Huckleberry Hound'' and ''[[Quick Draw McGraw]]'' were very popular amongst grown-ups when they first premiered.
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** And of course ''Jem'' has an extremely large [[Camp Gay]] following for obvious reasons.
* ''[[The Avengers: Earth's Mightiest Heroes]]'' has a target audience of 9-14 year old boys, but has its fair share of adult fans as well. These include [[Marvel Comics]] readers who loved finding tough and relatively deep portrayals of their favorite characters, and even some likable re-interpretations of characters they had lukewarm or negative feelings about while reading the comics. The dynamic and well-animated action sequences also helped it earn older fans. Some people say this show boasts as many universally appeaing qualities as shows from the DCAU.
* Similarly, ''[[The Spectacular Spider-Man]]'' was aimed at young and pre-teen boys, but is quite popular with teens and adults, given its great character reinterprataions and development, awesome script and voice acting, wonderful tributes to classic Spidey stories and lore, and the surprisingly large amount of [[Getting Crap Past the Radar]]. It even holds a good following after its [[Too Good to Last|premature cancelationcancellation]].
** Really, most animated shows based off superhero comics end up getting a lot of older viewers, as often they follow the comics in having good characters and story arcs. The first ''[[X-Men (animation)|X-Men]]'' animated series was a similar case, as was [[X-Men: Evolution]]. (it's often stated that out of the superhero animated shows, Evolution was the most popular with teenage girls) [[Spider-Man: The Animated Series]] was the same way.
* ''[[Dinosaur Train]]'' is an educational show aimed at preschoolers, but because the science is so well presented ([[Somewhere a Palaeontologist Is Crying|unlike most dinosaur documentaries]]), it appeals to many older dinosaur enthusiasts.
 
 
== Other ==
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** That and the [[Yaoi Fangirl|slash fandom]].
** Linkara is an interesting example in that many of his fans don't read comics, and many people who ''do'' read comics don't like him.
* ''[[Neopets]]'' Is a very odd case; although the site originated for college kids, the eponymous [[Ridiculously Cute Critter]]s attracted a Periphery Demographic of kids, and the site became [[Lighter and Softer]] as a result. This wasn't a bad thing, as TNT still got a lot of [[Getting Crap Past the Radar|crap past the radar]], but after Viacom started [[Executive Meddling|meddling]], the site became more focused to the kids and started neglecting the older fans, who had become a periphery demographic, and loyalists who started playing as kids but remained on the site through their teens. However, TNT started interacting with the new periphery demographic of older fans by setting up a [http://www.facebook.com/Neopets facebook page], and [[So Cool Its Awesome|The Faeries' Ruin]] did a great job of [[Win Back the Crowd|winning back older fans]]. Not only that, but said older fans are the ones who play the most on the site. They're the writers for the Neopian Times, plot participants, and are basically the ones who don't get bored and leave after a few months. TNT's trying to reach a happy medium between appeasing the "preteen girl" fans who only want cute things, the "tween boy" fanbase who just like the games, and the older fans who love writing for the Neopian Times and Poetry Gallery, drawing for the Art Gallery and Beauty Contest, and participate in plots.
* Road sign creation software, like ''[http://www.keytraffic.com KeySIGN]'' and ''[http://www.buchanancomputing.com SignPLOT]'' have become popular with automobile geeks, roadgeeks and [[We Will Not Use Photoshop in the Future|graphic designers]]. Strange, but true. [[Viral Marketing]] by a fan plays a part here.
* The author of ''[[With Strings Attached]]'' has said that she wrote the book under the assumption that Baby Boomer [[The Beatles|Beatle]] fans would be its primary audience, and was quite surprised when she started getting letters from 16-year-old girls who were reading it. And this was back in 1997. Now it has readers as young as 12 and as old as 80, and she's given up trying to figure out where the periphery is.
* Henry Jenkins, says in his book ''Textual Poachers'' saysthat this may be the primary driving force behind [[Fanfic]]. The [[Girl Show Ghetto]] means that females aren't going to have their brothers or husbands watching shows that are aimed for them, or they find the [[Lifetime Movie of the Week|female-aimed shows lacking in quality]] and they end up watching shows aimed at men and using fanfic to refocus the narrative.
* Male homosexual pornography is popular among heterosexual women.
** Not surprising, as lesbian pornography is [[Girl-On-Girl Is Hot|popular among heterosexual men]].