| Display title | Reservoir Dogs |
| Default sort key | Reservoir Dogs |
| Page length (in bytes) | 22,470 |
| Namespace ID | 0 |
| Page ID | 52417 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 8 (0 redirects; 8 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | DemonDuckofDoom (talk | contribs) |
| Date of latest edit | 00:38, 14 April 2022 |
| Total number of edits | 21 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
| Transcluded templates (6) | Templates used on this page:
|
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Reservoir Dogs is Quentin Tarantino's 1992 debut as a director and a screenwriter. The film largely takes place in the aftermath of a jewelry heist gone wrong. After the robbery is interrupted by the police, the surviving criminals -- all of whom are using color-based pseudonyms, and none of whom knew the others before this job -- escape to an abandoned warehouse and try to work out what went wrong, eventually deciding that there must be an undercover cop in their midst. Frequent flashbacks give the back story of several of the characters and fill in the details of the crime, telling the story in a non-linear fashion (which would become Tarantino's Signature Style); in fact, the movie contains a lot of elements Tarantino would use in later films, such as brutal violence and Seinfeldian Conversation (though not at the same time). |
