Sergei Eisenstein: Difference between revisions
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Many animators, most notably [[Walt Disney]], [[Harman and Ising|Hugh Harman]] and [[Shamus Culhane]] were heavily influenced by his work. |
Many animators, most notably [[Walt Disney]], [[Harman and Ising|Hugh Harman]] and [[Shamus Culhane]] were heavily influenced by his work. |
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Not to be confused with [[Albert Einstein|Einstein]]. |
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* ''Glumovs Diary'' |
* ''Glumovs Diary'' |
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* ''Strike'' |
* ''Strike'' |
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* ''[[The Battleship Potemkin]]'' |
* ''[[The Battleship Potemkin]]'' |
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* ''[[October Ten Days That Shook |
* ''[[October: Ten Days That Shook the World]]'' |
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* ''The General Line'' |
* ''The General Line'' |
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* ''Que Viva México'' |
* ''Que Viva México'' |
Revision as of 19:58, 15 April 2019
Sergei Eisenstein was an acclaimed Soviet director, who pioneered the theory and use of montages in film making (the montage in this case being defined by Sergei as "montage is an idea that arises from the collision of independent shots," and where "each sequential element is perceived not next to the other, but on top of the other.") as well as the "fast cutting" technique.
Many animators, most notably Walt Disney, Hugh Harman and Shamus Culhane were heavily influenced by his work.
Not to be confused with Einstein.
Filmography:
- Glumovs Diary
- Strike
- The Battleship Potemkin
- October: Ten Days That Shook the World
- The General Line
- Que Viva México
- Bezhin Meadow
- Alexander Nevsky
- Ivan the Terrible