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* [[Crosses the Line Twice]]/[[Crowning Moment of Funny]]: In order to sneak past the police, Grover switches clothes with George and covers his face in [[Modern Minstrelsy|brown shoe-polish]]. |
* [[Crosses the Line Twice]]/[[Crowning Moment of Funny]]: In order to sneak past the police, Grover switches clothes with George and covers his face in [[Modern Minstrelsy|brown shoe-polish]]. |
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* [[Hilarious in Hindsight]]: [[Live and Let Die ( |
* [[Hilarious in Hindsight]]: [[Live and Let Die (film)|Clifton]] [[The Man with the Golden Gun|James]] and [[The Spy Who Loved Me|Richard]] [[Moonraker|Kiel]] have small supporting roles as a [[Corrupt Hick]] and a [[Giant Mook]] with [[Red Right Hand|bad dental work]], respectively. |
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* [[Moral Event Horizon]]: In a previous art scandal, Devereau is suspected/confirmed to have {{spoiler|blown up an entire passenger plane to kill a handful of people who might have exposed him.}} |
* [[Moral Event Horizon]]: In a previous art scandal, Devereau is suspected/confirmed to have {{spoiler|blown up an entire passenger plane to kill a handful of people who might have exposed him.}} |
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* [[Retroactive Recognition]]: A young Fred Willard plays a station operator in Chicago. |
* [[Retroactive Recognition]]: A young Fred Willard plays a station operator in Chicago. |
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Latest revision as of 03:49, 15 April 2014
- Crosses the Line Twice/Crowning Moment of Funny: In order to sneak past the police, Grover switches clothes with George and covers his face in brown shoe-polish.
- Hilarious in Hindsight: Clifton James and Richard Kiel have small supporting roles as a Corrupt Hick and a Giant Mook with bad dental work, respectively.
- Moral Event Horizon: In a previous art scandal, Devereau is suspected/confirmed to have blown up an entire passenger plane to kill a handful of people who might have exposed him.
- Retroactive Recognition: A young Fred Willard plays a station operator in Chicago.
- Unfortunate Implications: Thankfully averted. When George is applying the the shoe-polish to his face, the script called for a white man to walk into the bathroom, and mistake George for a black man. Richard Pryor was able to convince the director that it would be funnier if a black man walked into the bathroom instead, and wasn't fooled for a second (but still realized that George must really be in trouble if he was trying something so stupid).