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The Eighties/Analysis: Difference between revisions

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* [[Michael Jackson]] immortalized himself as the King of Pop during this time, scoring hits such as "Billie Jean", "Thriller", and "Beat It".
* Those bored with pop radio tuned their radios to the left side of the dial and listened to [[College Radio]]. The artists who played on these stations were [[Post Punk]] guitar bands who performed what would later be called "[[Alternative Rock]]", were often signed to small labels and usually toured the United States in a beat-up van. The "modern rock" radio format sprung up near the end of the decade just as college favorites like [[REM]] and Midnight Oil began receiving mainstream attention and these early pop successes paved the way for alternative rock becoming a major music genre in the 1990's.
* [[Useful Notes/Heavy Metal|Metal]] was in, especially towards the end of the decade. As well as the mainstream scene which was focused on [[Glam Metal]], there was a ''massive'' underground, especially in the United States and Germany. There were no [[Myspace]], [[YouTube]], or Metal-Archives at the time. Underground music circulated through fanzines (Kerrang! started in 1981 as an underground fanzine), compilation albums issued by record labels, and tape trading (how [[Metallica]] first got big). Tape trading was surrounded by a lot of rules and rituals that would seem completely alien to someone used to peer-to-peer downloading. Part of this was due to the limits of tapes--every copy ("generation") of a bootleg was inferior to the source it was copied from. Although subgenres started to coalesce towards the late 1980s, the sort of obsessive subgenre hair-splitting common among today's metal fans did not exist. Most of the underground bands made fun of glam ([[Megadeth|Dave Mustaine]] called it "Gay L.A. Metal") but that was about it.
 
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