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Jim Steinman: Difference between revisions

edited to reflect his death
(added example to trope entry)
(edited to reflect his death)
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[[file:JimSecondNight.jpg|thumb|400px]]
 
An American songwriter, composer, arranger and [[Record Producer]] famed for his love of both ''[[Peter Pan]]'' and [[Rock and Roll]] [[Cliché Storm|clichés]], '''Jim Steinman''' claims(1947-2021) claimed that he became enamoured of rock music at an early age when he heard a Fender Telecaster overloading a Marshall amplifier. His work, which he describesdescribed as "[[Richard Wagner|Wagnerian rock]]", is characterised by a sound that is simultaneously massive and low-key, combining influences ranging from [[Phil Spector]]'s "Wall of Sound" to [[Bruce Springsteen|Springsteen]]-influenced anthems of [[The Who|Townshendian]] teenage angst.
 
Steinman got his start in musical theatre, scoring, arranging and playing piano in a number of productions. He met [[Meat Loaf]], then an aspiring singer and actor, when he auditioned for an off-Broadway musical composed by Steinman called ''More Than You Deserve'' and they began a partnership that led to the massively successful album ''Bat Out of Hell''.
 
SinceFrom thenthat point on, he has worked as a prolific producer and composer. While more inclined to be involved in the behind-the-scenes aspects of the music business, he doesdid perform on occasion; in 1981 he released a solo album called ''Bad For Good'' (composed of material he originally intended for Meat Loaf, who was recovering from damaged vocal cords at the time), and has beenwas a "special guest star" in a number of Meat Loaf's tours. Less directly, he assembled and guided the all-female rock group [[Pandora's Box]] in the late 1980s, and produced their one album, ''Original Sin''.
 
Aside from his occasional reunions with Meat Loaf, he's collaborated in some capacity with artists such as [[Air Supply]], [[Barry Manilow]], [[Billy Squier]], [[Barbra Streisand]], [[Bonnie Tyler]], [[Celine Dion]] and [[Andrew Lloyd Webber]].
 
He maintainsmaintained a labyrinthine [http://www.jimsteinman.com web site] where one can find not only his well-known material, but MP3s of songs from his unfinished magnum opus ''Neverland'' and the abandoned ''Batman the Musical''.
 
{{creatortropes}}
* [[Author Appeal]]: He hashad a fascination (or perhaps obsession would be the better term) with ''[[Peter Pan]]'', and in addition to his work on ''Neverland'' random references to it show up all over his other work -- such as a digression about Captain Hook and how he coped with the Lost Boys in the middle of the Joker's song "Wonderful Toys" from his ''Batman'' musical.
* [[Cloudcuckoolander]]: He's was famous for his eccentricity. When Meat Loaf told the story of his first meeting with Steinman on ''[[VH-1]] Storytellers'', he began with, "Have you ever seen Jim Steinman? He's one weird dude."
* [[Dramatic Timpani]]: One of his trademarks is a thunder-like rumble of drums at dramatic points in his songs.
* [[Epic Rocking]]: His compositions tend to last a bit longer than the average pop song, and in some cases they're more like mini-operas with distinct movements than songs with verses and choruses. Steinman reportedly burst into tears when he heard that radio stations wouldn't play the twelve-minute album version of "I'd Do Anything For Love (But I Won't Do That)" (keep in mind that the single edit was pushing it at seven minutes, and it's still one of the longest songs to get to number one in America).
* [[Large Ham]]: Based on his bizarre spoken word interludes on ''Bat Out of Hell'' (the introduction to "You Took The Words Right Out Of My Mouth"), and ''Bat Out of Hell II'' ("Wasted Youth", also on his album ''Bad For Good'') he's was quite possibly one of the Largest Hams who ever lived.
* [[Long Title]]: "I'd Do Anything For Love (But I Won't Do That)," "Objects In the Rear View Mirror May Appear Closer Than They Are", and "Life Is A Lemon And I Want My Money Back." The only things longer than the titles are the songs themselves.
* [[Love Nostalgia Song]]: Wrote more than a few of these. "It's All Coming Back To Me Now" is probably the most successful.
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** '''Acrimony Producer''': Steinman was infamously [[Executive Meddling|hired at the behest of the record company]] to produce the album ''Hysteria'' with [[Def Leppard]] after [[Mutt Lange]] initially decided to pull out. What should have been a [[Dream Team]] partnership promptly went south. Steinman wanted to produce a raw-sounding rock and roll record while the band wanted to make a more polished, [[Queen]]-style album. These differences proved irreconcilable, and Mutt Lange came back to take over.
** '''One Trick Pony''': Most of his productions have grandiose, bombastic sounds, drawing influence from Bruce Springsteen, Phil Spector and classical composers such as Wagner.
* [[Rock Opera]]: Meat Loaf once explained that every song Steinman writeswrote iswas treated as though it's was part of his never-produced ''Neverland'' project, although only a few of his compositions have been identified as part of the potential production ("Lost Boys and Golden Girls" is only the most obvious).
* [[Self-Plagiarism]]: Steinman hashad a habit of reusing choice bits from earlier songs in later works. One of the most obvious is a bridge composed of repetitions of the line "Godspeed! Godspeed! Godspeed! Speed us away!" which has appeared in several different songs over the pastcourse of 40his yearscareer.
** Individual lines often show up in multiple places, such as "Forever is such a long, long time, and most of it hasn't even happened yet". Some of these appear often enough in his work that they approach [[Catch Phrase]] territory.
** Another such line: "Infinite victims, infinitesimal time".
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