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Nostalgia Critic/Awesome: Difference between revisions

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Doug's moments are [[Doug Walker (Creator)/Awesome|here]].
 
* How about the fact that he had a spontaneous fanboy [[Freak -Out]] at the ''[[Harry Potter]]'' book launch and ''didn't'' get arrested even though you can see people around him getting scared and running away?
* His alternate [[Bittersweet Ending]] to ''[[Space Jam]]'', where Michael Jordan doesn't win the game but the Looney Tunes are okay because they have each other. Even if you quite like the movie, his version is far more thoughtful than the original [[Happily Ever After]]. [[Fridge Horror|Except for the fact that Mike and the Tunes end up enslaved by a sleazy theme park owner should they have lost the game]].
** Now with the bonus of knowing Doug's distaste for how ''[[The Muppets]]'' copped out of a similar ending.
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* Of course in real life Doug and Rob drove to the Nerd's place, but in-universe Critic ''ran to Philadelphia and never got tired''. Nice going for a lazy geek.
* Sure it's [[Nightmare Fuel]], but Teddy Ruxpin proves to be a [[Magnificent Bastard]] in the 2008 Halloween special by forcing the Critic to write a positive review and then killing him when he breaks in terror.
* Calmly reaming out ''[[Godzilla]]'' for their [[Take That, Critics!]] stance towards Siskel And Ebert.
* Even though it doesn't work, trying to shoot Lady Tremaine from ''[[Cinderella]]'' because she's supposed to be looking after Cindy, not abusing her.
* This small speech at the end of his review of ''The Super Mario Brothers Super Show'':
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* Just how sickened he is by the adulterer in ''[[The Tommyknockers]]'', calling how he left the search for a missing child to go fuck someone his [[Moral Event Horizon]].
** Extra bonus? This was all the character. Doug said on facebook that he loved the guy for how one-note evil he was. [[Sincerity Mode|Nice acting, Doug]].
* In his review of the remake of "[[The Haunting]]", how even though he's all about the Catherine Zeta Jones lust and [[Girl -On -Girl Is Hot]], he still calls out the film and the 90s in general for horrible writing/fanservice of gay people.
** Rather than just chew out the film itself (which easily could have sufficed, given how dumb it is), he makes several point by point comparisons with the original film and how the remake got things wrong, including one line that was put in solely as a reference to the original film that makes no sense in its new context. Way to go above and beyond.
** The breakdown, if only to show off how ridiculously childish the remake was.
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