Display title | Textual Poachers: Television Fans and Participatory Culture |
Default sort key | Textual Poachers: Television Fans and Participatory Culture |
Page length (in bytes) | 756 |
Namespace ID | 0 |
Page ID | 23330 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 1 |
Counted as a content page | Yes |
Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | prefix>Import Bot |
Date of page creation | 21:27, 1 November 2013 |
Latest editor | Looney Toons (talk | contribs) |
Date of latest edit | 16:04, 14 April 2017 |
Total number of edits | 7 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | Textual Poachers: Television Fans and Participatory Culture is a nonfiction book by Henry Jenkins, notable as one of the first academic studies of Fandom. Textual Poachers rejected notions of fans as social misfits and mindless consumers, exploring in detail the fans' society and the relationships between shows, producers, and fans. |