The Presets: Difference between revisions
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[[File:the_presets_9320.jpg|frame]] |
[[File:the_presets_9320.jpg|frame|Kim and Julian. They're a bit odd.]] |
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{{quote box| Kim and Julian. They're a bit odd.}} |
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The Presets are an Australian dance duo, though labelling them simply as dance is not doing them justice. |
[[The Presets]] are an Australian dance duo, though labelling them simply as dance is not doing them justice. |
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Kim Moyes and Julian Hamilton met at university, where both were studying classical music. They both had an interest in dance music and set about creating some of their own. They were inspired by the energy of rock music that was popular at the time, and wanted to infuse that energy into dance music. |
Kim Moyes and Julian Hamilton met at university, where both were studying classical music. They both had an interest in dance music and set about creating some of their own. They were inspired by the energy of rock music that was popular at the time, and wanted to infuse that energy into dance music. |
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In 2003, they released a six-track EP called ''Blow Up'' which gained much acclaim despite its limited release. On the success of ''Blow Up'' they released their first studio album, ''Beams'' in 2005 which gave the singles 'Down Down Down,' 'Are You The One,' 'I Go Hard, I Go Home,' and most notably, 'The Girl and the Sea' which would be featured on an episode of The O.C. |
In 2003, they released a six-track EP called ''Blow Up'' which gained much acclaim despite its limited release. On the success of ''Blow Up'' they released their first studio album, ''Beams'' in 2005 which gave the singles 'Down Down Down,' 'Are You The One,' 'I Go Hard, I Go Home,' and most notably, 'The Girl and the Sea' which would be featured on an episode of The O.C. |
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''Beams'' was received well, though many critics pointed out the strength of the singles and the tendencies for the other songs to act as simple filler. The Presets themselves have semi-acknowledged this, admitting that "if it sounded fucked up, we loved it and didn't really care about anything else." |
''Beams'' was received well, though many critics pointed out the strength of the singles and the tendencies for the other songs to act as simple filler. The Presets themselves have semi-acknowledged this, admitting that "if it sounded fucked up, we loved it and didn't really care about anything else." |
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In 2008, however, the duo released an album called ''Apocalypso.'' It was an absolute monster album in Australia, and received with near-universal critical acclaim, making them household names in their homeland. The album debuted at #1 on the charts, achieved gold certification in two weeks and went on to achieve platinum status soon thereafter. It then went on to win "Best Dance Release" and "Album of the Year" at the ARIA awards (Australia's answer to the Grammies). |
In 2008, however, the duo released an album called ''Apocalypso.'' It was an absolute monster album in Australia, and received with near-universal critical acclaim, making them household names in their homeland. The album debuted at #1 on the charts, achieved gold certification in two weeks and went on to achieve platinum status soon thereafter. It then went on to win "Best Dance Release" and "Album of the Year" at the ARIA awards (Australia's answer to the Grammies). |
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* [[Album Filler]]: Much of ''Beams'' was (unfairly) accused of being this. |
* [[Album Filler]]: Much of ''Beams'' was (unfairly) accused of being this. |
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* [[Ambiguously Gay]]: Though both men are married, the marketing for The Presets has often played up the "gaybe" aspect of their relationship. |
* [[Ambiguously Gay]]: Though both men are married, the marketing for The Presets has often played up the "gaybe" aspect of their relationship. |
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* [[New Sound Album]]: While the sounds are recognisable, ''Apocalypso'' has a ''much'' more hardcore rock vibe than either ''Beams'' or ''Blow Up'' |
* [[New Sound Album]]: While the sounds are recognisable, ''Apocalypso'' has a ''much'' more hardcore rock vibe than either ''Beams'' or ''Blow Up'' |
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* [[Performance Video]]: ''Kicking And Screaming'' |
* [[Performance Video]]: ''Kicking And Screaming'' |
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* [[Shout |
* [[Shout-Out]]: To, of all things, boat people and their mandatory detention in ''My People.'' |
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* [[Surreal Music Video]]: ''My People'' |
* [[Surreal Music Video]]: ''My People'' |
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* [[Surprisingly Gentle Song]]: ''Aeons'' is an ambient masterpiece compared with the pounding dance and rock of ''Apocalypso'' |
* [[Surprisingly Gentle Song]]: ''Aeons'' is an ambient masterpiece compared with the pounding dance and rock of ''Apocalypso'' |
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[[Category:The Presets]] |
[[Category:The Presets]] |
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[[Category:Music]] |
[[Category:Music]] |
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[[Category:Australian Music]] |
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{{DEFAULTSORT:Presets, The}} |
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Latest revision as of 14:22, 10 October 2017
The Presets are an Australian dance duo, though labelling them simply as dance is not doing them justice.
Kim Moyes and Julian Hamilton met at university, where both were studying classical music. They both had an interest in dance music and set about creating some of their own. They were inspired by the energy of rock music that was popular at the time, and wanted to infuse that energy into dance music.
In 2003, they released a six-track EP called Blow Up which gained much acclaim despite its limited release. On the success of Blow Up they released their first studio album, Beams in 2005 which gave the singles 'Down Down Down,' 'Are You The One,' 'I Go Hard, I Go Home,' and most notably, 'The Girl and the Sea' which would be featured on an episode of The O.C.
Beams was received well, though many critics pointed out the strength of the singles and the tendencies for the other songs to act as simple filler. The Presets themselves have semi-acknowledged this, admitting that "if it sounded fucked up, we loved it and didn't really care about anything else."
In 2008, however, the duo released an album called Apocalypso. It was an absolute monster album in Australia, and received with near-universal critical acclaim, making them household names in their homeland. The album debuted at #1 on the charts, achieved gold certification in two weeks and went on to achieve platinum status soon thereafter. It then went on to win "Best Dance Release" and "Album of the Year" at the ARIA awards (Australia's answer to the Grammies).
The duo are also well regarded as being very down-to-earth Aussie blokes, despite their growing success. They have expressed frustration that most interviewers only use their Wikipedia page to find out information on them beforehand.
- Album Filler: Much of Beams was (unfairly) accused of being this.
- Ambiguously Gay: Though both men are married, the marketing for The Presets has often played up the "gaybe" aspect of their relationship.
- Animated Music Video: The Girl and The Sea
- Dancing Is Serious Business: The music video for If I Know You
- Getting Crap Past the Radar: Yippiyo-ay while sounding like a fairly Word Salad Lyrics dance song is actually about being driven wild by good handjobs.
- Ho Yay: The video for This Boy's In Love.
- And the lyrics, for that matter.
- Indecipherable Lyrics: Listen to I Go Hard, I Go Home
- Also the 'verses' of Together.
- Mood Whiplash: Anywhere from Apocalypso is incredibly darker than the rest of the album, eschewing the dirty rock of the earlier tracks for a minimalist dance style.
- New Sound Album: While the sounds are recognisable, Apocalypso has a much more hardcore rock vibe than either Beams or Blow Up
- Performance Video: Kicking And Screaming
- Shout-Out: To, of all things, boat people and their mandatory detention in My People.
- Surreal Music Video: My People
- Surprisingly Gentle Song: Aeons is an ambient masterpiece compared with the pounding dance and rock of Apocalypso
- Take That: A gentle one. The Presets were not happy with their night at the ARIA awards in 2008, given that they had to perform last, and were not allowed to drink at all. So they got costumed up in what look like human koosh-balls and proceeded to let the public at large have a "but what does it mean?" moment.