The Third Man: Difference between revisions
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The story takes many of the tropes commonly associated with [[Film Noir]] and plays with them. The film is also notorious for Orson Welles stealing the show in the final act, and for its hypnotic music score by zitherist Anton Karas (whose title theme became a huge hit). |
The story takes many of the tropes commonly associated with [[Film Noir]] and plays with them. The film is also notorious for Orson Welles stealing the show in the final act, and for its hypnotic music score by zitherist Anton Karas (whose title theme became a huge hit). |
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{{tropelist}} |
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=== This movie offers examples of: === |
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* [[Absurdly Spacious Sewer]]: Justified. Vienna's real spacious sewers were used in the film. |
* [[Absurdly Spacious Sewer]]: Justified. Vienna's real spacious sewers were used in the film. |
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* [[Adaptation Distillation]]: Graham Greene preferred the film's ending to that of his own novel. |
* [[Adaptation Distillation]]: Graham Greene preferred the film's ending to that of his own novel. |
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