| Display title | Uncommon Time |
| Default sort key | Uncommon Time |
| Page length (in bytes) | 54,358 |
| Namespace ID | 0 |
| Page ID | 132481 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | m>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | MilkmanConspiracy (talk | contribs) |
| Date of latest edit | 03:06, 7 April 2024 |
| Total number of edits | 17 |
| Recent number of edits (within past 180 days) | 1 |
| Recent number of distinct authors | 1 |
| Transcluded templates (6) | Templates used on this page:
|
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | In music, the most encountered time signature is 4/4, boring old Common Time. There's also 2/4 and 2/2, "cut time," which aren't too much different - all the bars still divide evenly into two. 3/4, sometimes called "Waltz Time", is also fairly intuitive- if you've ever been taught to dance by counting "step, two, three, step, two, three" then you know how it works. You can start mixing the twos up with threes and get 6/4, 3/2, 6/8, 9/8 and such, which don't have the same rhythms as Common Time, but can still be counted out fairly easily. |
