| Display title | Yuki Kajiura |
| Default sort key | Yuki Kajiura |
| Page length (in bytes) | 8,534 |
| Namespace ID | 0 |
| Page ID | 21261 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 2 (0 redirects; 2 non-redirects) |
| Page image |  |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Ilikecomputers (talk | contribs) |
| Date of latest edit | 22:33, 1 July 2023 |
| Total number of edits | 16 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | A Genre Busting Japanese composer, music producer, impresario, and ethnomusicologist, born in Tokyo in 1965 but raised in The Bonn Republic. After returning to Japan as a teenager, she worked as an Office Lady before quitting in 1992. She first came to musical prominence as one half of the group See-Saw with Chiaki Ishikawa in the 1990s, and established herself as a solo composer with the seminal soundtracks to Noir and .hack and the musical Shooting-Star Lullaby (as well as at least some of the Japanese institution that is Sakura Taisen), subsequently spending many years as the 'house composer' for Bee Train. |
