Display title | 101 Dalmatians |
Default sort key | 101 Dalmatians |
Page length (in bytes) | 15,741 |
Namespace ID | 0 |
Page ID | 67510 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 8 (0 redirects; 8 non-redirects) |
Page image | |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | prefix>Import Bot |
Date of page creation | 21:27, 1 November 2013 |
Latest editor | Puterboy1 (talk | contribs) |
Date of latest edit | 13:28, 11 December 2022 |
Total number of edits | 35 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | Entry #17 in the Disney Animated Canon. The Hundred and One Dalmatians was adapted for animation by Walt Disney Pictures as 101 Dalmatians. It was the second Disney animated film to be set unambiguously in contemporary times. Furthermore, the 1961 production was the first to use xerography to ease the inking process and make a film with this much technical complexity (the 101 dogs and their collective innumerable spots) possible. Unfortunately, this technology became the norm and its limitations trapped all Disney animation into a hard scratchy outline look for 16 years until The Rescuers, which finally was able to use further advancements for allow for a softer look again. |