| Display title | Archer/Analysis/Season 9 |
| Default sort key | Archer/Analysis/Season 9 |
| Page length (in bytes) | 9,124 |
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| Page ID | 454098 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
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| Counted as a content page | Yes |
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| Page creator | HighComs (talk | contribs) |
| Date of page creation | 16:07, 20 July 2018 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 20:49, 5 February 2022 |
| Total number of edits | 6 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | This page can be used to compare and contrast the characters and the trope makeup between 'classic Archer' and the dream season that is Danger Island, as well as to contrast the genre-shifting that has taken place across the seasons. It also looks at the some of the narrative tropes that are introduced as a result of serialising the previously episodic show. By limiting the scope of analysis of the season to a limited set of tropes (hence quantitative analysis) taken only from the Tropes Of Legend it is possible to gain insight into the structure of Danger Island at the micro as well as the macro level. For instance, it becomes obvious that the characters which feel (qualitatively) the least substantial correspondingly have the least tropes associated with them. In contrast, characters which feel the most well-developed have the most tropes associated with them. (To that end, Archer, Pam and Fuchs are clearly the most developed, followed by Crackers and Charlotte with Malory, Lanaluakalani and Ray at the bottom.) This quantitative analysis conforms with the intuition that the best characters are those which are more well-developed by laying bare the tropes from which they are composed, thus providing as close to an objective assessment of subjective factors as possible. |