| Display title | Baroque Pop |
| Default sort key | Baroque Pop |
| Page length (in bytes) | 4,938 |
| Namespace ID | 0 |
| Page ID | 85127 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Looney Toons (talk | contribs) |
| Date of latest edit | 12:27, 6 August 2019 |
| Total number of edits | 14 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Baroque pop is a style of music that combines pop songwriting with (often complex) classical instrumentation. Instead of synths or electric guitars, expect to hear pianos, harpsichords, strings, woodwinds, and harps. This style started in the mid-60s. Even though the subgenre is called baroque pop, much of the instrumentation of it is more akin to the Classical period (ca. 1750 to the early 1800s), which was after the Baroque period (mid-1600s to ca. 1750). Chamber pop/rock is like baroque pop/rock, except that the instrumentation is influenced by chamber music. |