| Display title | Employees' Entrance |
| Default sort key | Employees' Entrance |
| Page length (in bytes) | 1,398 |
| Namespace ID | 0 |
| Page ID | 463117 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 01:07, 19 December 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 17:02, 2 October 2020 |
| Total number of edits | 5 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | During the bleak era of the Great Depression, film studios scrambled to find various types of "escapist" fare to take people's minds off their hard life struggles and get audiences into theaters: musicals, lighthearted comedies and melodramas with big stars. Employees' Entrance, a superb pre-Production Code film about the machinations in a New York City department store, effectively captures real urban tensions during the Depression. Key is Warren Williams' devastating characterization of the store's general manager, whose system shows not a trace of the smiling manager. He's always superb as a charismatic, shyster professional, is obsessed with being successful, callously dismissing longtime, non-productive employees and demanding that his assistants not succumb to women. |
