Fujisaki Kou: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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{{bibliography}}
{{bibliography}}
* ''[[Happy Yarou Wedding]]''
* ''[[Happy Yarou Wedding]]''
* ''[[Manga/Utsukushiki Kemonotachi|Utsukushiki Kemonotachi]]''
* ''[[Utsukushiki Kemonotachi]]''
* ''[[Virgin Love]]''
* ''[[Virgin Love]]''
* ''[[Manga/Toriko Ni Natta Kemono|Toriko Ni Natta Kemono]]''
* ''[[Toriko Ni Natta Kemono]]''
* ''[[Virgin Love|Junai no Seinen]]''
* ''[[Virgin Love|Junai no Seinen]]''
* ''[[Manga/Kemono Wa Ai De Iyasareru|Kemono Wa Ai De Iyasareru]]''
* ''[[Kemono Wa Ai De Iyasareru]]''
* ''[[Manga/Playboy Amour|Playboy Amour]]''
* ''[[Playboy Amour]]''
* ''[[Manga/Oboreru Kemono No Koibito|Oboreru Kemono No Koibito]]''
* ''[[Oboreru Kemono No Koibito]]''
* ''[[Virgin Love|Mens Love]]''
* ''[[Virgin Love|Mens Love]]''
* ''[[Manga/Aikata|Aikata]]''
* ''[[Aikata]]''
* ''[[Manga/Ueta Aikata|Ueta Aikata]]''
* ''[[Ueta Aikata]]''


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{{creatortropes}}

Latest revision as of 18:01, 14 June 2020

/wiki/Fujisaki Koucreator

Fujisaki Kou is a prolific Boys Love Genre Mangaka, with a very distinctive (and often divisive) art style. Fujisaki began publishing one-shots in 1996, but first began writing serial stories in 2001 with Happy Yarou Wedding. Roughly a third of the author's works take place in the same universe as Happy Yarou Wedding, and more are always appearing.

Works written by Fujisaki Kou include:
Fujisaki Kou provides examples of the following tropes:
  • Breakout Character: Possibly part of why Fujisaki keeps adding new works to The Verse is because of the positive response of readers to minor characters who then get their own story.
  • Crazy Jealous Guy: Possessive lovers are something of a staple in Fujisaki's manga.
  • If It's You It's Okay: The majority of Fujisaki's characters (except maybe Kaoru and Ian) consider themselves straight but willing to make exceptions.
  • Masculine Lines Feminine Curves: Though women don't tend to play a prominent role in the author's works, when they appear they are always very curvy, while the men are much more angular.
  • One Head Taller: Unusual in that instead of drawing the ukes smaller like many Boys Love authors do, the semes are drawn as that much bigger. Than everybody.
  • Really Gets Around: Mysteriously, however, none of the characters ever have ST Is.
  • Salaryman: The stars of many of Fujisaki's works are white-collar workers in Japan.
  • The Verse: The entire Todou-related continuity. The series has no title, but when familiar characters begin appearing you know the setting it's happening in.