| Display title | Harsh Noise |
| Default sort key | Harsh Noise |
| Page length (in bytes) | 2,166 |
| Namespace ID | 0 |
| Page ID | 58384 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 1 (0 redirects; 1 non-redirect) |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 12:42, 22 July 2022 |
| Total number of edits | 9 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Harsh Noise is a subgenre of Noise Music. Now what, you may ask, separates Harsh Noise from regular noise? It is a question of degree. Where noise music at large uses any number of non-musical sounds or textures to achieve a particular musical effect, the effect intended by Harsh Noise is most often a visceral one: To overwhelm the listener with sound, either through pain or ecstasy. To that end, Harsh Noise musicians use sounds at the extremes of frequency and volume, often densely layering and arranging any number of abrasive sounds. |