| Display title | Hell's Hinges |
| Default sort key | Hell's Hinges |
| Page length (in bytes) | 1,256 |
| Namespace ID | 0 |
| Page ID | 457703 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 21:09, 3 April 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 14:22, 1 August 2023 |
| Total number of edits | 4 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | William S. Hart was one of the most popular of the silent Western stars. Unlike most of the early film cowboys, Hart's characters were ambiguous -- no stereotype men in white hats. They could be crooks or killers just as easily as honorable lawmen or hard-working ranchers. In Hell's Hinges, he is a self-described killer seeking retribution on behalf of the devout sister of a rather pathetic minister. Performances by Hart and Clara Williams as the aptly-named Faith are confident and comparatively restrained for their day. The cinematography by Joseph August, who would work with masters such as John Ford and Howard Hawks, is equally confident and adds a level of sophistication to the production. |
