Mary Poppins/YMMV: Difference between revisions

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* [[Purity Sue]]: A rare positive example, helped by Andrews's [[Academy Award]] winning performance, making Mary come across as a three dimensional character.

* [[So Bad It's Good]]: Not the movie itself, mind. But rather, ''[[Dick Van Dyke]]'s accent.''

* [[Values Dissonance]]:

** Particularly in the initial pressings of the books, where the chapter "Bad Tuesday" has stereotyped depictions of Alaskan Native, Chinese, Indigenous American, and tropical "Negroes", the latter of which fall victim to those racist Southern-style tropes of watermelons and slave patois; this led to the original book being [[Banned in China|banned]] from the San Francisco Public Library system in 1980, though P. L. Travers did later amend the offending chapter ''twice'', once in 1961 with the removal of offensive words and lines of stereotypical portrayals, and another in 1981 with the stereotyped ethnic portrayals replaced with animals instead. To be completely fair, Travers did pay a visit to Indigenous American reservations at some point in her career so she was at least somewhat aware of their culture, but the values at the time amounted to the rather prejudiced portrayals of other cultures in "Bad Tuesday".

** The 1964 film garnered some minor controversy in 2024 when the BBFC re-rated it from U (Universal) to Parental Guidance due to the use of the (archaic) ethnic slur "Hottentot" in reference to the [[wikipedia:Khoekhoe|Khoekhoe]] people of [[South Africa]], which the film board apparently perceived as more akin to the similarly offensive term "gypsy" for Romani people or perhaps the [[N-Word Privileges|n-word]] for that matter.

* [[What Do You Mean It's Not Didactic?]]: Some critics and academics have argued that the film encapsulates the societal shift of its time, with Mr. Banks representing the passing of the stuffy 1950s and Mary Poppins representing the arrival of the carefree 1960s.

** In the musical, the contrast between generations is represented in the story, with George Banks, Miss Andrew, and most of the adults representing the older up-tight Victorian era while Mary, Bert, Mrs. Corry, Northbrook and a few others represent the much looser Edwardian era.