| Display title | My Name Is Oona |
| Default sort key | My Name Is Oona |
| Page length (in bytes) | 1,329 |
| Namespace ID | 0 |
| Page ID | 463131 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 01:54, 19 December 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 20:56, 15 January 2024 |
| Total number of edits | 3 |
| Recent number of edits (within past 180 days) | 1 |
| Recent number of distinct authors | 1 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Born in Sweden in 1931, Gunvor Nelson moved to the U.S. in 1953 where she spent the middle years of her life before moving back to Sweden in the early 1990s. She taught at the San Francisco Art Institute from 1970-92, influencing a generation of new filmmakers. She carved out a distinctive niche in underground avant-garde American film during the 1960s and '70s though Nelson strongly prefers the term "personal cinema." Much of her work during this period concerns perceptions of feminine beauty. |
