| Display title | One Froggy Evening |
| Default sort key | One Froggy Evening |
| Page length (in bytes) | 6,145 |
| Namespace ID | 0 |
| Page ID | 142010 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 2 (0 redirects; 2 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
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| Page creator | m>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 13:19, 19 April 2021 |
| Total number of edits | 17 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Referred to by Steven Spielberg as "the Citizen Kane of animated film", this 1955 Chuck Jones Merrie Melodies short featured none of the regular Warner Bros. stable, instead telling a standalone story about a construction worker who discovers a live frog inside the cornerstone of a building he's helping to demolish. To his amazement, the frog pulls out a little top hat and cane and starts to sing and dance. The construction worker naturally expects to strike it rich from his discovery. Unfortunately, the frog refuses to perform in front of anybody else. At the end, after becoming destitute and homeless, the man puts the frog into the cornerstone of a new building, and a flash forward reveals that a man of the future will soon suffer the same fate. |
