Information for "Pietà Plagiarism"

Basic information

Display titlePietà Plagiarism
Default sort keyPietà Plagiarism
Page length (in bytes)1,748
Namespace ID0
Page ID48154
Page content languageen - English
Page content modelwikitext
Indexing by robotsAllowed
Number of redirects to this page1
Counted as a content pageYes
Number of subpages of this page15 (0 redirects; 15 non-redirects)
Page imageMichelangelo's Pieta 5450.jpg

Page protection

EditAllow all users (infinite)
MoveAllow all users (infinite)
DeleteAllow all users (infinite)
View the protection log for this page.

Edit history

Page creatorprefix>Import Bot
Date of page creation21:27, 1 November 2013
Latest editorRobkelk (talk | contribs)
Date of latest edit01:06, 5 April 2022
Total number of edits26
Recent number of edits (within past 180 days)0
Recent number of distinct authors0

Page properties

Transcluded templates (4)

Templates used on this page:

SEO properties

Description

Content

Article description: (description)
This attribute controls the content of the description and og:description elements.
Michelangelo's sculpture depicting Mary holding the body of the crucified Christ is the best-known example of one of the most popular poses in art. There is a whole class of artwork, referred to as "pietàs", that depict Mary (usually seated) holding the dead Jesus, going back to at least the early 14th century. It includes two other pieces by Michelangelo himself - one in the Cathedral Museum in Florence and known as the Deposition or Florentine Pietà, the other one one in the Castello Sforzesco in Milan and known as the Rondanini Pieta, as well as a third work in the Academia in Florence not generally attributed to Michelangelo today.
Information from Extension:WikiSEO