| Display title | Primary |
| Default sort key | Primary |
| Page length (in bytes) | 876 |
| Namespace ID | 0 |
| Page ID | 456393 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 22:16, 11 January 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 12:15, 3 October 2020 |
| Total number of edits | 3 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Produced by Robert Drew, shot by Richard Leacock and Albert Maysles, and edited by D. A. Pennebaker, Primary charted new territory in documentary film making. Using lighter, more mobile cameras and sound equipment, the filmmakers achieved greater intimacy with their subjects, following on their heels as the candidates wound through packed crowds and hovering like gnats to capture their more private moments. Modern political and news reporting owes much to the audacity of this film's invasive technique. |
