Regina Spektor/Tear Jerker
- "Samson" is haunting.
- She also wrote the Tear Jerkers "Carbon Monoxide" and "the Flowers", but the worst is "Chemo Limo," which is about a mother of four dying of cancer. It can be tough to keep it together when she says the last line, "Oh God Barbara, she looks just like my mom"; in a tone of horrified realization. And then you realize that a lot of cancers are genetic.
- Then there is "Buildings", which chronicles a city woman's growing despair and her husband's trying to help her cope with it. It is heavily implied at that she ends up committing suicide. Regina's voice, often quirky or cheeky, has never been so soul-wrenching.
- As well, Regina's song "The Call", that plays during the end of The Chronicles of Narnia, Prince Caspian can bring to tears anyone who has ever had to leave their friends or other loved ones behind.
- "Us", which may be her most beautifully orchestrated tune.
- "Laughing With", in which Regina recites a long string of horrible, half-implied tragedies and matter-of-factly states that "nobody laughs at God" during these times. And she goes on to denounce people who treat God like a wish-granting genie used to justify their own hatred, which can inspire the good kind of tears.
- The "when it's gotten real late and their kid's not back from the party yet" line can be especially triggering.
- It can be tough for one to make it past "No one laughs at God on the day they realise that the last sight they'll ever see is a pair of hateful eyes" without letting out a sob.
- Then there is "...when they see the one they love, hand in hand with someone else and they hope that they're mistaken." Many can probably relate to that.
- "Aquarius". In one of the few live recordings of "Aquarius," she has to pause because she started crying.
- One rooted in a real life tragedy, her 2010 performance at Montreux was a dark, sad affair, coming just after the death of her cellist, Daniel Cho. She, along with many members of the audience, were in tears during the uncharacteristically somber act.
- Braille, a first-person story of a poor, lonely (and seemingly young) single mother, can really bring one to tears.
- "Braille" is positively brutal.
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She was lying on the floor and counting stretch marks, |
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- And then you get the self-loathing...
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I'm still an asshole playing with candles, |
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- "Oedipus." The chorus sounds like someone talking about their abusive mother, who manages to be sympathetic because she was forced to have thirty-two kids by his father and the only way she can deal with her resentment/pain is to take it out on them or stay in her room all the time.
- "Hero". Just "Hero". Especially if you've seen Five Hundred Days of Summer.
- Her version of Hallelujah is, yet, another one. Originally performed by Leonard Cohen.
- "Loveology" is another one. Never has "forgive-me-ology" sounded so heart-wrenching.
- "The Sword and the Pen" starts out nondescriptly dark, with lines such as "The things that scare us today, what if they happen someday?" This is bad enough, but it quickly gets worse when Regina's voice gets very soft as if on the verge of tears "So what if nothing is safe? So what if no one is saved? No matter how sweet? No matter how brave?"
- "One More Time With Feeling" is both a Tear Jerker and a Crowning Moment of Heartwarming at the same time. Depending on how you look at it, it can be interpreted as the song of a bedridden hospital patient, struggling to find the will to live in their bleak environment. Its mix of cynicism and hope combined with the warm, wavering vocals is enough to turn anyone to mush.
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Your stitches are all out, but your scars are healing wrong |
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- "Firewood" somehow manages to give "When She Loved Me" a run for its money:
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Someday you'll wake up and feel a great pain |
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