| Display title | Robert Wise |
| Default sort key | Robert Wise |
| Page length (in bytes) | 1,868 |
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| Page ID | 134263 |
| Page content language | en - English |
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| Page creator | m>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 13:59, 29 March 2019 |
| Total number of edits | 8 |
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Article description: (description)
This attribute controls the content of the description and og:description elements. | A man who has been with Hollywood since 1934, Robert Wise has pretty much been involved with every major film project, in every studio department, in every major genre that you can possibly imagine. According to his bio at IMDB, Wise worked several odd jobs at RKO until someone noticed his talent as a sound editor, and the rest is history. From 1934-35, he worked as a sound editor (vastly uncredited) for movies like Of Human Bondage, The Gay Divorcee, The Informer, and Top Hat, before moving on to editor of Bachelor Mother, 5th Ave Girl, The Hunchback of Notre Dame, My Favorite Wife, and Dance, Dance, Dance, before his first major job on Citizen Kane, being handpicked by the the legendary Orson Welles. Not known by many, his first directing job was actually on The Magnificent Ambersons, uncredited, nonetheless, but a major step in a young filmmaker's career. |