| Display title | Rumiko Takahashi |
| Default sort key | Rumiko Takahashi |
| Page length (in bytes) | 3,545 |
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| Page ID | 100330 |
| Page content language | en - English |
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| Page creator | m>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 22:07, 25 July 2020 |
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Article description: (description)
This attribute controls the content of the description and og:description elements. | Rumiko Takahashi is the best-selling female comic artist of all time, and one of the names by which to reckon the evolution of anime. One of the wealthiest women in Japan (she's the first Japanese female self-made millionaire), all of her longer running Manga have become TV series, and nearly everything she has written has been made into an anime (OVA or TV). Perhaps more importantly, her influence and the nature of her series since 1980 have been cited as large contributors to the perception and acceptance of anime as a medium today. The anime adaptations for her longer series have an unfortunate tendency to end well before their manga does: the Inuyasha manga ran for nearly two more years after the end of the English dub of the anime; Ranma ½ barely got two-thirds of the way through its story and was heavily laden with Filler, to boot; and Urusei Yatsura likewise ended early, although it did get an OVA adaptation of its proper conclusion. Maison Ikkoku is her only major series whose animated adaptation spans the whole story. Inu-Yasha got picked up again after the Manga Series finished as a second series, titled Inuyasha: The Final Act, that continues the series from where the previous anime left off and tells the remainder of the story through to its conclusion. |
